Keith Fullerton Whitman.

Landed back in town on Wednesday afternoon & someohow managed to mix-down, master, and share the recordings from the Sound & Gravity festival (which was incredible; saw so many great things from Ana Roxanne to Microplastique to Ami Dang to Kari Watson & Katinka Kleijn; reconnected/hung out with so many deep homies that my head was spinning throughout) & the two opening sets out on the road at Vivarium and The Cedar afterwards (which was maybe the most relaxing & consistently inspiring music-trip I’ve ever been on; Setting are easily one of the best bands going right now, a crystallization of so many of my own deeply-held music predilections into a coherent sound, all done with an impeccable attention paid to detail and pacing, really incredible!) all woven in & around a continuous overnight Field Recording made way out in The Driftless on our day off.

Quite happy with the direction this music is taking; as with anything Eurorack-related, there’s constant refinement & re-decision in hardware-choices, especially after so many conversations with developers & builders alike pushed me to consider a majority-computer/digital instrument that, while still applying the patch-cable paradigm, feels closer to working with software like Max-MSP, Supercollider, & Bitwig‘s Grid than anything analogue (I’ve even been having Max-like order-of-operations issues; you can occasionally hear the main clocked quantizer get ahead of the note-event triggers & envelopes, which results in that sudden break-apart microtonality as the oscillators are seeded with just-slightly slewed values that have yet to fully cook!)

As many had asked at the shows, I’ll keep this past week/end’s pair of MG configurations (screencaps above) here and here; I’m very much mid-stream in exploring all of the apps in Phazerville 2.0, which is doing the heavy melody-generation lifting here via 3 separate 4-tap ASR’s (which are in turn driving a 4-voice Digital FM “Harmonic” Oscillator, a 4-voice Supersaw Oscillator, a 3-voice Multisampler, and a single 303 voice) while leveraging the remaining 2 Quadrants for master-transposition inputs from a tiny USB MIDI keyboard. The quantized note-streams & transposition-lanes are fed into a “Matrix Precision Adder” that allows me to re-route anything to anything in real-time, which has been huge. I also had an “Aha” moment days before leaving around using a pair of small clock-divider/processor modules to both generate polyrhythmically-dense drum patterns & to trigger the individual main-melody voices; the sets documented above progressively delve into this approach. The middle-section (from about 27m onwards) of the S&G set is maybe my favorite of anything I’ve performed in this vein this year; really nice combination of timbres (that water-drop sound is actually piano run through a highly resonant lowpass being “pinged”) & control vectors gradually dialed-in that is as much “Computer Music” in the historical-record sense as it is “IDM“.

Anyways; I’m excited around all of this & would love to continue to travel for music at this exact pace, so please get in touch if you need me for anything. A couple of great things locked-in for October already (there’s the Verbatim Text-Sound Expo out in the Catskills at which I’ll have a surprise collaborator TBC, plus a further duo-gig w/ my closest collaborator Chuck Bettis on a great bill at TV Eye) so stay tuned!

Upper-Middle.

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Sep 10
After taking most of August off to regroup after a bountiful July, things kick off on the 5th of September with an appearance at Guild Row in Chicago as part of the new Sound & Gravity festival organized by Mike Reed & the Constellation team (NOTE that the concert I’m playing is NOT at Constellation itself, but at a venue a few blocks away on the other side of the river; I know I’ve established a pattern w/r/t playing consecutive shows there!)

This will be followed by a series of dates opening for forever homie Joe Westerlund‘s new band Setting (w/ Pelt’s Nathan Bowles & Jaime “Mind Over Mirrors” Fennelly) including a stop in Milwaukee at the Vivarium on September 6th, another in Minneapolis at Cedar Cultural Center on the 8th! Excited for some proper “Get In The Van” -style touring after ages away! NOTE that; in my stead while out touring, Matthew Patterson Curry (aka MPC, Safety Scissors) will be covering the Alpha State Show on The Lot, so make sure to tune in on September 7th from 7PM-9PM for a deep dive into Electroacoustics & Contemporary Electronics!

For thes shows above, I’ll be debuting music in a relatively new vein of the algorithmically-derived concepts I’ve been working with for the past year, hinging on “Generators” while taking in influences from Minimalism, Motorik, IDM, and the like. The idea is to dial in a loose, novel framework each night via the various embedded-computer modules in the Hybrid Digital-Analogue Synthesizer, then let them run their course while only subtly influencing their direction (the “Gather” recording here is fairly indicative of the overall sound, even though it uses only a fraction of the patch; performances will be considerably more fleshed-out) ::

Then, back in NYC on the 12th there will be an incredible day of Quadrophonic performances w/ Olivia Block & Lea Bertucci at Light & Sound Design; NOTE that there is a separate Matinee Performance at 2:30pm, then an Evening Performance at 7:30pm, so purchase tickets accordingly! So happy to return to LSD, one of my favorite spaces in town for listening.

Finally, I’ll head back to the West Coast for an 8-channel performance at Indexical in Santa Cruz on the 26th, preceded & followed by a quick visit to SF (no shows planned, but I’ll be around for a few days; get in touch if you’d like to meet up!)

For these 2x, I’ll use the Live Diffusion setup so expect more of an Electro-Acoustic sound, heavily utilizing the Serge-lineage instruments captured during the residency at NYU Tandon School of Engineering’s Integrated Design & Media program a few weeks back (ditto, “Hunt,” above, is a good indicator).

PS. Make sure check out last month’s Alpha State Session on The Lot featuring the wonderful musician & composer Marcia Bassett, along with the third episode of 4ms Company‘s new Podcast series (hosted by Ross Fish of Moffenzeef fame) wherein we discuss my current headspace w/r/t to synthesis & formative influences in Electronic Music. I also encourage everyone to visit & sit with Josiah McElheny‘s new exhibition “Instrument Object” which opens on the 10th at The Kitchen‘s Westbeth space (163B Bank Street, 4th Floor Loft) & on which I facilitated on a couple of pieces (an electronic realization of the “Lift” section of Pauline Oliveros‘ “Primordial/Lift” plus a restoration of a newly discovered Julis Eastman recording). This after consulting on his “From Red Black to Black, from Blue Black to Black” show at Corbett vs. Dempsey a few years back (which featured a piece involving Serge Paperface system pre-patched to trigger a floor tom recreating Milford Graves‘ heartbeat, also on display in this show…)

PPS. I’ve been loving these finally-hearable, long-in-the-works releases by Paul Amlehn, to which a bunch of us in the Experimental Music & Film scenes have contributed in an asynchronous way over the past decade! This one is quite nice; certainly can’t argue with the lineup:

Paul Amlehn – Compositional system; catalyst texts and vocals for Max, Keith, Robin, Richard, and Ches; vocals; treatments; sampling; guided self-assembly of musical patterns and structures; editing; mixing; production
David Lynch – Field recordings, sound design
Ann Kroeber – Field recordings, sound design
Alan Splet – Field recordings, sound design
Max Eastley – Aeolian harps, electronics
Keith Fullerton Whitman – Electric saz played through a modular synthesizer
Robin Storey – Real-time vocal sculpting, drums, electronics
RK Faulhaber – Synthesis, real-time vocal manipulations
Ches Smith – Moog Rogue, drums
René Magritte – Painting: “The Unexpected Answer”

Events (September Edition).

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Aug 9
At the just-past halfway point in 2026, I’d like to take a moment to express my extreme gratitude towards everyone that has helped in reaching my stride again w/r/t traveling to play music & keeping active here in NYC. 14 concerts, 7 radio shows, 2 podcasts, and an epic overnight DJ set under the belt so far this year & somehow the spirit remains undaunted. Special Request Shoutout to Joe Frivaldi & Rob Mayson of Pianos / Stereo Mandrax / Abasement, Chuck Bettis, Marcia Bassett, Ted Gordon, Julia Govor, Thorsten Sideboard, Tom Hall, Joshua Eustis, Jon Leidecker, Bryan Kasenic, Mike Clemow, Carlos Giffoni, Chris Goudreau, Mike Haley, & Michael Bernstein for being incredible people & pillars of the scene!

After much experimentation & reconfiguring, current performance practice has solidified into two discrete modes / concepts:

On one hand is the renewed interest in presenting cybernetic-lineage “Live” Electronic Music on a series of portable patch-cable modular systems that incorporate DNA from the “Generators“, “Occlusions“, & “Acid Causality” frameworks while continuning to push forward stylistically, yielding something much closer to Free Jazz than Dance Music (all while using the familiar bulding blocks of said: Drum Machine PCM data, Wavetables, Supersaws, Digital Multi-Operator FM, Spectral Transfer Processing, Delay Lines that range between Karplus Strong & minutes long.) These stagings have been going incredibly well, and feel equally at home in both dedicated art/sound spaces and jazz, rock, noise, & metal clubs. The videos above cover a fairly representative performance at Roulette, then a talk around this particular system at Gray Area, respectively.

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On the other I have been taking on residencies to record elements on acoustic, electric, & “Period” electronic instruments, then treating novel combinations of these as raw material for a series of scalable multi-channel diffusions that hinge on both the “Redactions” & “Multiples” languages. For these, I’m centering a contemporary system developed at the INA-GRM to essentially improvise Electro-Acoustic Music, incorporating an extensive set of real-time spatialization & processing tools mapped to tactile controllers which allow me to express the exact Tape-Music & Musique Concrète modalities I’ve been obsessed with going on 40 years. The videos above cover a recent 5-Channel (Quint? Pent?) performance at Tonal Park, then a set at a monthly experimental music series at the Newark Bike Project the night before.

The Dichotomy.

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Aug 3
Kicking off a busy month on the 10th of July with the much-anticipated return of Carlos Giffoni’s No Fun Fest (at which in years past I played a digital-noise-oscillator set at The Knitting Factory, then a realization of one of Conrad Schnitzler‘s Cassette Concerts at Music Hall of Williamsburg) in the form of a 3-day festival called “No Fun, New Perspectives” at which I’ll debut a collaboration w/ the inestimable Chris Goudreau of Sickness fame! The entire festival is packed with first-time groupings of dozens of all-timers, certainly not to be missed but on the off-chance you can’t make it is both being streamed by Roulette in real-time via YouTube™ (scroll down for the feed) AND over the airwaves on WFMU!

Alpha State #13 will be on on The Lot on Monday the 13th from 7PM-9PM with special guest Tommy McCutchon of Unseen Worlds (espect prog, minimalism, new music, 70s synth; all the good stuff) followed by the fourth-ever duo set with Chuck Bettis as part of an incredible Abasement lineup at Arists Space on the 20th (also on the bill: a rare solo guitar & electronics set by Oliver Ackermann of A Place To Bury Strangers & Death By Audio fame, the duo of Dirty Three‘s Jim White & Masami Tomihisa performing as You-On, and Hairbone!)

Then, C & I will head out to Robert Wilson’s Watermill Center on Long Island to take part in the once-in-a-lifetime Arc performance by ∈Y∋ (sidenote: in the Hrvatski years I once opened for Boredoms, a dream-come-true after becoming a life-long fan after stumbling into a couple of the Boretronix tapes in the Village back in the early 90s; the EYE + C.O.L.O set at Powerhouse was easily the best thing I saw last year!) as part of their Limitless Time event on the 25th (incredible lineup w/ Isabelle Huppert, Pina Bausch, Laurie Anderson, and a staging of Lou Reed‘s Metal Machine Music, all outdoors in the woods in the Hamptons). A few days later, on Monday the 27th I’ll begin a week-long residency at the IDM Studio at NYU Tandon School of Engineering in downtown Brooklyn (where I will work with the studio’s vast arsenal of Serge Modular Systems that have been augmented with novel tactile interfaces for people who are blind, or have low vision; an incredible incentive!)

Finally, on the 31st, I’ll head out on the road to Newark, DE for a solo peformance as part of the Tabs Out folks’ Final Fridays series at Newark Bike Project (w/ algo all-timer William Fields, As Surviving Total, and Wide Color) & will then head down to Takoma Park, MD the next day to play at Tonal Park with Bill Nace & Mike Bernstein‘s project w/ Brian “Geologist” Weitz, Deli Philosophers! First time down the seabord for music in a good few years, looking forward to the trip!

PS. Taped this conversaion with Shawn O’Sullivan & Chris Miller (who also hosts the fantastic La Synthèse Humaine YT™ channel) last month for their rejuvenated Base Camp Beta podcast; fun deep dive into my come-up in Electronic Music from the early-90s onwards, getting into some ragebait-adjacent topics towards the end there but all in good fun; after this & the Cycling ’74 Office Hours one from earlier in the year, I’ve revised my stance on podcasts from “Turn This Off Listen To Music Touch Grass” to “Sure Why Not” so please get in touch if you’d like me to guest on yours…

Events (July Edition).

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Jul 2
Other than the family-style Alpha State session (echo’ed below; click through to The Lot to hear Helen’s hourlong blend of music around the concepts of “Work” & Craig’s deep, deep playlist of Peter Gabriel B-Sides & Remixes) that kicked off a wonderful birthday week, I took off last month to recuperate (sleep, mostly) & rebuild after a steady, rewarding stretch of activity thus far this year. We’re already at the cusp of June, and a bunch of tantalizing things are on the books, including the all-day Going In celebration at Pioneer Works on the 6th (at which I have the honor of playing the opening performance-slot at 1PM, kicking off an astrally-studded day of music) followed by Alpha State #18 on the 15th (w/ special guest JR Bohnanon) & a Quad show as part of the Point Source series at a new venue on the East-Williamsburg/Bushwick nexus called SUPR_OMEN (ticket & general info will post here shortly).

Events (June Edition).

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Jun 2
Launched a suite of new music early this morning, comprised largely of recordings made while preparing for a noise show a few weeks back.

This one deviates from other recent audio-posts significantly in that this music was all heavily rearranged through a process of chopping up & transforming a further generation of self-sustaining environments, (often) beyond recognition. The common thread here is a flavor of bitonality realized via dual quantizers offset by a static interval, each trained on a 4-voice “Arabesque” – the descriptor “Kafkaesque” fits beautifully given the lean into the darker corners of harmony, bordering on the grotesque.

I’m rather fond of the first two pieces as a standalone pair, in which the input-stage of a spring first acts as a highly resonant bandpass filter before providing the unmistakeable metallic sheen found across so many of my favorite Pinakotheca & Vanity LPs (what a sound!) I’ve opted to also include a re-ordered transcription of the concert itself, along with a couple of further proof-of-concept recordings to seal the deal. I may be biased, but I genuinely feel that it’s some of my best work recently in terms of channeling standalone, fully-formed aesthetics by continually reconfiguring the Hybrid Digital-Analogue Modular Synthesizer I’ve committed to over these past 6 months; certainly this the combination of elements I’ve been the most excited about recently & everything down to the cover-art fits a narrative arc that’s there for you to decode.

Play this loud, over big speakers… or at the very least through decent headphones for a fully sensory experience while out roaming about: the production is deeply sub-heavy & everything here feels electric & alive (if… submerged).

| ˌkäfkəˈbesk§ |

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May 1
I’ve only been back in NYC for a couple of days, yet somehow there’s already another packed stretch coming up! First, I’ll be making my TV Eye debut opening for Christian Stadsgaard’s Vanity Productions project on the 10th as part of a stellar bill with Jackson-Pratt, Imminent Death, & DJ Broken Pillar in the mix; very excited to finally get to play a more aggressive set on the venue’s d&b Audiotechnik system, which I rate as one of the city’s best. Christian’s an old friend (I played a concert in his apartment in København in 2003!); looking forward to catching up.

Then, on the 19th I’ll return to the now-legendary Sunday-night Stereo Mandrax series for a reprise of my duo w/ Chuck Bettis on a, frankly, incredible program pairing David Watson & Bill Nace, the father-daughter project of Borbetomagus‘ Don & Camille Dietrich, & a bonus closing DJ set by Iggor Cavalera (full disclosure: I all but cornered Iggor backstage at a 1993 Sepultura/Biohazard show at The Academy & had that awkward megafan conversation; hope he doesn’t remember!) Chuck & I have a drum-heavy concept that we’ll debut that night; not to be missed!

Finally, the Alpha State residency returns to The Lot on the 20th for a 2-hour B2B session with C. Lavender; expect a mix of obscure synth, film music, and related fields – looking forward to this one! Make sure to book a ticket for Lavender’s hosted screening of all-time favorite Phase IV as part of Alamo Drafthouse’s “Weird Wednesdays” at their DTBK/City Point/Albee Square location.

After all of this I’ll be taking a break to regroup, rebuild, & record for most of May, although there’s plenty more confirmed & on the books/horizon during the summer, including a first-ever duo performance with Chris Goudreau for the just-announced No Fun New Perspectives festival at Roulette, a further appearance w/ Chuck at the Abasement series at Artists Space, a trip to Chicago for the Sound & Gravity festival & another West-Coast jaunt in the Fall including a stop at Indexical – I’m also in the process of hashing out trips to Portland, ME & Newark, DE for performances over the summer; will share details when its all confirmed!

Thanks to everyone that came out last month; amazing to see so many familiar faces both in NYC & in SF & LA! The shows all went super well & recordings are now live on Bandcamp to sate all of the Subscription-Holders there (above).

PS. Just noticed this on YouTube™; back in July 2016 I was approached by New Zealand -based writer, visual artist, musician, and filmmaker Paul Amlehn about contributing to an ongoing cycle of collaborations featuring pretty much a who’s who of contemporary sound-people (Dean Hurley, Christoph De Babalon, BJ Nilsen, Leo Abrahams, Mark Spybey, Ulrich Krieger, etc.) This piece features Pauline Kim Harris & Conrad Harris (aka String Noise) over a deep-bed sub-bass Make Noise tELHARMONIC improvisation around Paul’s “Compositional system, catalyst texts and vocals for music creation, editing, mixing, production” involving Franz Kafka’s Die Verwandlung (The Metamorphosis); enjoy!

Events (April Edition).

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Apr 6
This month is shaping up beautifully, with a quintet of appearances on the books in Greenpoint (playing a solo piece at Marcia Bassett‘s “Two Doors Down” series at the new Sunview Acropolis location tomorrow night) then an AMA-style appearance on Cycling ’74’s MAX Office Hours (informal chat w/ Cycling’s Tom Hall on my come-up through computer music in the early 90s) followed by the third Alpha State b2b of 2026 (with special guest Kyle Dixon of S U R V I V E / Stranger Things fame) after which I’ll be heading to San Francisco (for the Algorithmic Art Assembly 3-day, which I’m terribly excited about) then Los Angeles (related show organized by Late Breakfast).

Events (March Edition).

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Mar 6
Rest In Peace to easily one of the most important musical figures of the 20th & 21st Centuries; there’s simply too much to say/think/feel here, but I feel compelled to echo the conversation between WNYU host Jonathan Gean, Éliane, & I during her stay in NYC around the 2010 “Propensity Of Sound” festival at Issue Project Room (the same at which “Issue Generator for Èliane Radigue” was performed & recorded; so glad I had the foresight to preserve this on SoundCloud™). It’s exactly as I’d remembered it, completely disarming & so wonderful to hear Éliane discuss her work & the contemporaneous performances of those first acoustic pieces in such an animated & matter-of-fact way. My favorite moment, after a long exposition on Charles Curtis & ‘Naldjorlak’:

“I told you… you ask me a question and after that you have to take a Kalashnikov to stop me!”

Éliane Radigue (1932-2026).

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Feb 24
The Lot Radio, 17 Nassau Ave, Brooklyn, NY 11222
Monday, February 23rd, 2026 • 7:00 pm – 9:00 pm
Listen Live

For the second ‘Alpha State’ show of 2026, join KFW & special Guest Criterion Thornton (Broklyn Beats / Property Is Theft) for 2 hours of rhythm experiments covering obscure regional IDM, Jungle, and Broken-Beat chaos!

From January 2026 onwards; you can instantly play back live-streamed shows such as these directly from the archives! Browse over to The Lot‘s site:

Alpha State @ The Lot #14.

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Feb 23
It has snowed again here in NYC; even moreso than the last storm a few weeks back (or the one before that, before the holidays) & the alien landscape coupled with a lack of compelling reasons to leave the house have led to one of the more productive phases in recent times.

The piece above (published to Bandcamp today) presents an unexpurgated real-time render out of the Hybrid Digital-Analogue setup (CE, see below) that so perfectly captured the bizarrely gorgeous environment slowly unfolding a few feet away as this music was wrest from the current configuration (now featuring twin 4-channel O_c lanes fed into a couple of quad-voice oscillators being quantized both in, and outside of scale in an exploded-view sort of way) that I was compelled to share it while everyone was still locked-in.

Yes, it gets a bit crispy at times (esp. towards the end); as the old, old saying goes: “In this world, nothing is certain except taxes & the inability to artfully fix overmodulation in a stereo recording after the fact” so I’ve left it all in (honestly that sound when the Vector Wave goes below its own CV-controllable note-floor is something I’ve grown to love & has led to an open embrace of other audible anomalies) in something of a “Warts & All” gesture. Enjoy!

As It Fell.

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Feb 23
Hali Palombo (a wonderful composer & artist/filmmaker from Chicago) was in touch a while back about contributing to a project supporting rabies awareness & prevention, around the idea of capturing the sound of rabies. I immediately rooted through my archives & tracked down a recording of a particular patch I’d made on the “White” Coupigny reproduction created by Philippe Dao & assembled it into a ~7 minute piece (utilizing similar recordings from the original 60s “Grey” & “Blue” instruments) meant to convey the virus’ rapid overtake of a host organism.

The project has manifested itself as a compilation Double-CD & digital album, which releases today & can be heard/found on Bandcamp, featuring a ton of my favorite contemporary musicians including Vanessa Rossetto, Beau Wanzer, Mary Lattimore, Sigtryggur Berg Sigmarsson, Clarice Jensen, Jon Mueller, & Andy Ortmann. I received a box of the CD edition in the mail, so please come up to me at a show if you want to grab one; the whole thing is great, highly recommended!

The Milwaukee Protocol: Unfamiliar Audio for Rabies Awareness.

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Feb 10
I tend to work on music in phases. The impetus is almost always some sort of concert or engagement; a deadline, essentially. While I’d been happy with the “Capitulation Engine” setup, as with all things modular, the ever-present nudge to embellish & refine was palpable, and that’s exactly what I’ve been doing during the first few weeks of Winter.

The album above (partially live on Bandcamp on Tuesday, finalized today for the platform’s monthly charity event) goes deeper into a given direction; gone are the Beatkid (which has been supplanted by a more bespoke approach to clocked event-generation, working natively within the remit of “Dynamic Gates”) & that slow granular crawl from the Disting NT (at Pianos it was a folk-song from the Voyager Golden Record) but further realized here out are the controls & automations from the Faderpunk™ (of which I’m now using all 16 channels in one way or another to animate wave-shapes & the ‘harshness’ of a freshly routed drum-saturation/wavefolding bus) which of course all leads to new music & further refinement, ad infinitum.

Please have a listen, and let me know what you think; quite happy with the first/’Morning’ piece here, which arrived fully formed when I powered up & which I sat down & listened to for a good 15m while packing Alpha State NYC orders before jumping in to actively further it along. The interlude returns to those gorgeous, logarithmically-derived chord progressions (ala the “Acid Causality” pieces) & the third ‘Evening’ piece takes a more linear route into a propulsive Krautrock -tinged direction, stemming from an experiment in modulating the various rhythmic vantage-points simultaneously.

Then of course you get a mixed/mastered “board” recording of my performance at the Roulette event as a bonus track, replete with the raw video sent from my phone onto the screen behind while I played. Given that we were all on about Cybernetics & man-machine hybrids beforehand, demonstrating the kind(s) of seldom-interfered-with automations this setup is capable of felt the right thing to do. Enjoy!

bowd•ler•ize

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Feb 6
Gray Area, 2665 Mission St, San Francisco, CA 94110
March 26-27-28, 2026, Talks, Workshops, & Performances
Buy Tickets

Artisanal algorithmicists and computational craftspeople ASSEMBLE! Algorithmic Art Assembly returns to Gray Area for a third edition of the hybrid conference and music festival, March 26–28, 2026.

LINEUP: Carl Lostritto, Catty Dan Zhang, Char Stiles, Chia Amisola, Claire L Evans, Codie, Daniel Temkin, DELI KUVVETI, Gábor Lázár, Kara-Lis Coverdale, Keith Fullerton Whitman, Kindohm, Luisa Mei, Nathan Ho, nnirror, R Tyler, Ruaridh Law, Sebastian Camens, Tom Hall, tsrono, William Fields, Wolff Parkinson White, c_robo_

Join us for three nights of audio, extreme computer music, algorave, and bit-shifted R’n’B hits of tomorrow. Two days of talks will explore process-based artistic approaches from the mathematical to the topological: procedurally generated clouds, internet and ambient art, FM synthesis, esolangs, and much more. Plus two workshops (limited places)! Stay tuned for more announcements.

Algorithmic Art Assembly v3.0.

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Jan 24
Roulette, 509 Atlantic Avenue, Brooklyn, NY 11217
Wednesday, February 4, 2026 • 8:00 pm
$25 advance, $30 doors, $20 Student/Senior (w/ ID, Senior 65+)
Buy Tickets

Roulette’s annual Mixology Festival highlights novel approaches to technology in music and media arts, since 1991, and is supported in-part by The Foundation.

DAY 1 of Roulette’s 2026 Mixology Festival features an evening of conversation and performance around Ted Gordon’s recent book, The Composer’s Black Box (University of California Press, 2025), which examines how human musicians and their electronic musical instruments negotiate agency, creativity, and selfhood through cybernetic pathways of control. Through five historical case studies—chapters on early cybernetic electronic systems developed by Morton Subotnick, Donald Buchla, Pauline Oliveros, Alvin Lucier, and Sun Ra—Gordon’s book develops a concept of “ex-composition” that accounts for experiences of playing with instruments that play themselves, and the consequences those experiences hold for understanding the musical self in an increasingly informational world.

After a panel discussion and Q&A, Gordon will be joined by frequent collaborator Marcia Bassett (electronics), as well as Keith Fullerton Whitman (electronics), and Luke Stewart (bass) for improvised performances that build on the conversation in solo and duo formations.

Ted Gordon author, Buchla Music Easel
Marcia Bassett panelist, Buchla Music Easel
Keith Fullerton Whitman panelist, electronics
Luke Stewart panelist, bass

“How can information systems make music? And when they do what happens to composers? This fascinating book reveals how electronic music cracked open questions of what it meant to be human at the dawn of the digital age. Read it, and you’ll never hear a synthesizer quite the same way again.”—Fred Turner, author of The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties

“Gordon tells five compelling stories of musical creativity and cybernetics in the Information Age. But this is not a tale of technological determinism. The Composer’s Black Box shows us not how music was shaped by oscillators, circuit boards, and voltage controls but how deeply all of this depended on the imaginations of the people who used these technologies, their diverse notions of agency, and, ultimately, their visions of freedom and control.”—Emily I. Dolan, author of The Orchestral Revolution: Haydn and the Technologies of Timbre

“At last we have a detailed, sophisticated history of the impact cybernetic thinking had on the music of the 1960s, 1970s, and beyond. Gordon’s book represents an important intervention into postwar music history—one that is as urgent as ever, given cybernetics’ role in laying the groundwork for contemporary digital culture.”—Eric Drott, author of Streaming Music, Streaming Capital

A livestream will be available free of charge at 8pm on the day of the performance and archived for future viewing.

Ted Gordon is Assistant Professor of Music at Baruch College and the Graduate Center, City University of New York. He is the author of The Composer’s Black Box: Making Music in Cybernetic America (University of California Press, 2025), as well as several book chapters and articles that explore frictions between experimental music, electronic instruments, and contemporary science & technology. As a musician, he improvises with the Buchla Music Easel and other objects of historical study as a means towards producing a critical, embodied understanding of musical technologies.

PS. The archival Livestream of the entire evening is (graciously; Roulette are the best) up on YouTube™ including the discussion by all four of us (Ted Gordon, Marcia Bassett, & Luke Stewart) along with the individual performances & Q&A’s:

MIXOLOGY: Ted Gordon’s “The Composer’s Black Box: Making Music in Cybernetic America”

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Jan 23
The Lot Radio, 17 Nassau Ave, Brooklyn, NY 11222
Monday, January 26th, 2026 • 7:00 pm – 9:00 pm
Listen Live

Returning to The Lot for the first show of 2026, join KFW & special Guest Asha Sheshadri for 2 hours of new & classic music from across the global spectrum.

Note: The Lot has launched a brand-new, gorgeous site which allows for instantaneous playback of live-streamed shows directly from their archives! Click the image below to be transported there, where you can also check out any of the prior sessionss from the past ~6 months.

Alpha State @ The Lot Radio #13.

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Jan 23
Public Records, 233 Butler Street, Brooklyn NY
Friday, January 23rd, 2026, 9:00 pm – 3:00 am, 21+
Buy Tickets

SOUND ROOM: Claudio PRC [Open To Close]
THE ATRIUM: Woody92, Julia Govor, Profiler
UPSTAIRS: Keith Fullerton Whitman [Vinyl Set]

Update: for all intents & purposes, this went super well; here is a “Field Recording” of the entire set from which I’ve used an experimental model (MVSep) to extract & remove the “Crowd” below a certain threshold. Enjoy, and please book me to do this sort of thing more often!

Claudio PRC / Woody92 + Julia Govor + Profiler / Keith Fullerton Whitman.

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Jan 23
I’ve assembled a new Eurorack-centric instrument around a novel control interface (AtoVproject Faderpunk) that has been programmed to “Scan” through an assortment of Digital FM Synthesis methods & Sample Libraries; this after being asked to perform at Pianos just prior to Christmas, wanting a clean break from the “Playthroughs” performances given in the year prior.

I’ve just posted up a set of Work In Progress recordings made while building & rehearsing (which includes the gig itself as a bonus track); this is how I’ve been using Bandcamp recently & I’ve found that it’s a great way to share ideas without necessarily having to commit to their final form. Seeing as all of this is, essentially, is under the umbrella of “Live” Electronic Music (improvised & captured to two-track stereo in real time, then mastered for listening) being somewhat ephemeral about it makes sense.

PS. Speaking of Bandcamp; I urge you to consider a Subscription ($30/yr grants you instant access to everything posted, along with the historical record); everyone else is encouraged to chip in (or not, no worries either way!) All of this to directly fund the research & development of this practice, as well as carve out the time & energy otherwise spent on far more crass enterprises.

Capitulation Engine.

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Dec 25
Pianos: Showroom, 158 Ludlow St, New York, NY 10002
Sun, Dec 21, 2025, Doors @ 7:00 pm, Music @ 8:00 pm
FREE w/ RSVP or $10 at the Door • This is a 21+ Event

Keith Fullerton Whitman is a composer & performer based in Fort Greene, Brooklyn. Active for 30+ years, his work encapsulates “Live” Electronic Music, Minimalism, & research into Generative & Process/Systems Music in both the Analog & Digital Domains. An extensive discography includes releases on kranky, Planet-µ, Nakid, Editions Mego, PAN, and countless others.

Brahja is a NYC jazz group with a rotating roster. The latest configuration includes Damon Hankoff, Janice Lowe, Georgia Wartel Collins, Malik Washington, and Devin Brahja Waldman. Waldman is a saxophonist, multi-instrumentalist, and music producer who is the co-founder of the groups Brahja, Kadef, EEG Coherence, Apophasis, Infinity Zero, Notable Deaths, and Radical Reversal (a band and initiative with poet Randall Horton which installs music studios inside prisons). Waldman has performed with artists such as Anne Waldman, Malcolm Mooney, William Parker, Abiodun Oyewole, Patti Smith, Thurston Moore, Godspeed You! Black Emperor, Nadah El Shazly, Hamid Drake, Charles Hayward, Heroes Are Gang Leaders, MoE, Land of Kush, Yoshiko Chuma, and many others.

Mark Morgan is a guitarist/ vocalist based in NYC and has performed with Sightings, Silk Purse , To live and shave in LA, Aaron Dilloway, among others.

Stereo Mandrax: Keith Fullerton Whitman / Brahja / Mark Morgan

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Dec 21
First Hour (Electroacoustics)

1. Metgumbnerbone; Taghairm (from “For the Raven“, 2022)
2. Erwan Keravec; Increase the flow rate (from “Whitewater“, 2025)
3. EVOL; House Of Lemur Mix (from “Dunwich Recursed“, 2024)
4. Carl Ritger; Vanitas (from “The Measures“, 2025)
5. Max Duret; The Ice Melt (from “Hydrographer“, 2025)
6. Luke Martin & Morgan Evans-Weiler; washington st (from “New England Interiors“, 2025)
7. Makoto Oshiro + Takahiro Kawaguchi; loco (from “Lemures Loci“, 2025)
8. Aksak Maboul; Lost In The Farmhouse (from “Before Aksak Maboul“, 2025)
9. Yeast Culture; Thingformbert (from “Graft“, 2025)
10. Rupert Hine; Anthony’s Studio (from “THE SHOUT“, 2025)
11. Rupert Hine; Ring Mod FX (from “THE SHOUT“, 2025)
12. Balago; Cara B (from “Ningú“, 2025)
13. Vladimir Ussachevsky; Line of Apogee (Part 5) (from “Film Music (1962, 1967)“, 1990)
14. Gilles Gobeil; La vie se repose (from “Promenades“, 2024)
15. Loscil; Ash Clouds (from “Lake Fire“, 2025)
16. Shirttrax; Good News About Space Trk. 17 Remix 4/2000 (from “OR MD COMP.“, 2003)
17. Gerritt; Frog Inside Hypercube (from “Frog: Remixed and Revisited“, 2003)
18. Bernado Feldman; Still Life (1986) (from “Music from SEAMUS Vol.1“, 1991)
19. Rory Salter; The Forest is a Shipwreck (from “a sky cold as clay“, 2025)
20. john grzinich; if memory should serve us again… (from “Compilation Works Vol. 1“, 2025)
21. Carla Hübner; Plectros II (from “3ª bienal americana de arte“, 1966)
22. Ben Bennett; Cyclic Creep Behaviour (from “Music for Idiophones Vol. 1“, 2024)
23. Oneohtrix Point Never; Fear of Symmetry (from “Tranquilizer“, 2025)
24. The Havels, Irena and Vojtech Havlovi; Four Hands Organ 12 (from “Four Hands“, 2024)
25. José Vicente Asuar; Preludio la noche (from “3ª Bienal Americana De Arte“, 1966)
26. Patrice Soletti & Gilles Gobeil; Associations libres (from “Promenades“, 2024)
27. Klaus Wiese; Ta-H I (from “Uranus (Tibetan Singing Bowls)“, 1996/2025)
28. Diego Bermudez Chamberland; Chronomundo (from “Cartografía Interior“, 2025)

Second Hour (Deconstructions)

1. Iku Sakan; Molyvos (from “Human Wave Music Vol. 2 CS“, 2025)
2. Jeph Jerman/Ted Byrnes; A5 (from “Muir“, 2025)
3. Chris Weisman; Abbiati Moments (from “Abbiati Moments“, 2025)
4. Bergsonist; ⵄ3ayn (from “ASL أصل ⴰⵙⵍ“, 2025)
5. Aksak Maboul; Modular Excursions at John’s (from “Before Aksak Maboul“, 2025)
6. Sculpture; Portal Customer (from “Collapsing Tape: Experiments in Rupture and Repair“, 2025)
7. Bergsonist; Muqaddim (from “ASL أصل ⴰⵙⵍ“, 2025)
8. E.g Oblique Graph; Rainforrest (from “Bryn Jones – Complete Oblique 1980-1983: Tape 1 (1980/81)“, 2025)
9. Chuquimamani-Condori & Joshua Chuquimia Crampton; Huayño “Ipi Saxra” (from “Los Thuthanaka“, 2025)
10. Mooooooooooo; Free#*^•.__Jazzzzzzzzzz (from “Collapsing Tape: Experiments in Rupture and Repair“, 2025)
11. Will Guthrie; Lampo (from “Lampo“, 2025)
12. GOVERNMENT ALPHA; Resting Crater (from “ObliVision“, 2025)
13. Kolorit; Dieter Needs To Follow (from “Lose Ideen“, 2025)
14. Idea Fire Company; Filmed at Production Center (from “Hot Enough For You?“, 2025)
15. Djrum; Come Find Me (from “Come Find Me“, 2025)
16. Zeena Parkins; She is a Butcher in My Dreams (from “Lament for the Maker“, 2025)
17. okkyung lee & Explore Ensemble; Siwan (from “Signals“, 2025)
18. Raays; cz drift (from “plaays“, 2025)
19. Stone Free; 6 (from “Insensitivity“, 2019)
20. 下山ヤマタカEYE; EXTACY (REMiX) (from “GZN (RMX)“, 2021)
21. Papiro; La Caldaia (from “Uscire Da Fuori“, 2025)
22. Stara Rzeka; Elegia (from “Wynoś się z mojego domu“, 2025)
23. Kassel Jaeger; Obstructions (from “20130511 De La Warr Pavilion Bexhill-on-Sea“, 2013)
24. Gökçen Kaynatan; Cehennem (Hell) (from “Cehennem“, 2019)
25. IFS meets AGF; C- Operator (from “East-West Logistics“, 2025)
26. 0x00; Katajungle Mix (from “Dunwich Recursed“, 2024)
27. Gia Wang Wan; Elisha (from “Kings“, 2025)
28. Yamataka Eye; Nightingale (X-mas mix) (from “Re… Remix?“, 2008)
29. Regan Bowering; Grain (from “Solos for _ _ _ _ spaces“, 2023)
30. Three Legged Race; Ex-Locksmith (from “Rope Commercial Vol. 2“, 2015)
31. Bill Fay; Doris Comes Today (from “From the Bottom of an Old Grandfather Clock“, 2025)
32. Fifty Foot Hose; War Is Over (from “Ingredients“, 1997)
33. Yves De Mey; Heat cured (from “Force Over Area“, 2025)
34. Thought Broadcast; Motorschiz (from “Thought Broadcast“, 2012)
35. Jules Reidy; Interlude I (from “Ghost/Spirit“, 2025)
36. The Durutti Column; Man Of Mystery (from “Lost Songs & Sketches 1980-81“, 2025)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 12-20-2025

Alpha State @ The Lot Radio #12.

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Dec 20
1. Emma Hendrix; Promial (from “Audio Art Volumes 7, 8 and 9“, 2013)
2. Y. Takahashi + M. Sato; Lob Nor (from “Distant Voices / Yuji Takahashi + Masahiko Sato“, 1974/2006)
3. Darrell DeVore; Molimo (Live at Open Space, 1980, with John Celona) (from “Volume 2: Another Song of Civilization“, 2024)
4. Jerry Hunt; Cantegral Segment 18.17 (from “Lattice“, 1996)
5. Async Sense; Drifting (from “Async Sense“, 1995)
6. Chris Williams; location.echo (from “Odu: Vibration II“, 2025)
7. C. Lavender; Glistening Mosaic Observatory (from “Convex Umbra“, 2025)
8. Akhira Sano; Customary (from “To Material Past“, 2025)
9. Organum; Tower Of Silence Pt.2 (from “Tower Of Silence“, 1985)
10. a.hop; A side (from “a tape“, 2025)
11. Bjarni Gunnarsson; Fracas (from “Fracas“, 2025)
12. Michel Redolfi; Lever Des Oiseaux (from “Jungle“, 1997)
13. Laura Cannell; APPARITIONS (from “HAUNTLORE“, 2025)
14. Mnemonists; Limbs (from “Horde“, 1981/2024)
15. Rafael Toral; You Don’t Know What Love Is (from “Traveling Light“, 2025)
16. Roméo Poirier; Silencio (from “Off The Record“, 2025)
17. Jin Sangtae / Takahiro Kawaguchi; Metastate (from “Redox“, 2025)
18. Felicity Mangan (from “Mud Flats (from “Mud Flats“, 2025)
19. Clarice Jensen; ,2 (from “In holiday clothing out of the great darkness“, 2025)
20. Faith Coloccia & Daniel Menche; Winter Enclosure (from “Smelter“, 2025)
21. Sean McCann; Copy 3 (from “The Leopard“, 2025)
22. Ian Douglas-Moore, Dominic Coles, Eric Wong; long 3 (from “under under hill“, 2025)
23. Emily A. Sprague; Osaka (from “Cloud Time“, 2025)
24. AGF, Sergiu Matiș; Mattereality (from “works for Sergiu Matiș“, 2025)
25. Steve Roden; reading/without / reading/within (1999) (from “six sound installations“, 2025)
26. Delphine Dora, Ayami Suzuki; Qui est derrière le devant ? (from “Kagome Kagome“, 2025)
27. Componium Ensemble コンポニウム・アンサンブル; Eﬄorescence (for 3 bowed harpsichords, 2 bass clarinets, flute and cello) エフロレッセンス（三台のボウ・チェンバロ、二本のバス・クラリネット、フルートとチェロのための） (from “8 Automated Works 八つの自動作曲作品集“, 2025)
28. Ipek Gorgun; Ozymandias (from “Earthbound“, 2025)
29. Ellen Fullman feat. The Living Earth Show; Sustained Surface – Distant View (from “Elemental View“, 2025)
30. Alexandra Spence; With Mountain (from “Your Whistle Tells Of Landscape“, 2025)
31. Bob Bellerue; Butcher’s Broom – B (from “Butcher’s Broom“, 2025)
32. Mark Harwood; Hesychasm or Urim and Thummim (from “or, Urim“, 2025)
33. Fernand Vandenbogaerde; Kaléidoscope (from “Modulisme Session 133“, 2025)
34. Studio Dan; Be Happy! (from “Walking through a brave new world – 8 Improvisations“, 2025)
35. Match Fixer; The Flat Calls (from “New Weird Australia, Space Between Space“, 2021)
36. Nijiumu; 4th Movement: The kotodama that attempts to take back all energy into itself (from “When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode.“, 2025)
37. Brian Wenner; Chop Shop (from “Age of Execution“, 2023)
38. Zach Hill, Lucas Abela; Odlous Again (from “Bag of Max Bag of Cass“, 2025)
39. Patrick Higgins; Faceless (pulse) (from “Versus“, 2024)
40. Richard Youngs; Two Guitar Duets (from “Four Guitar Duets“, 2025)
41. Sandy Ewen; 3 June 2025 Little Rose Tavern [Cleveland, Ohio] (from “Little Tour Down to Texas and Back“, 2025)
42. Mark Fell; large modulos #3 (from “Nite Closures“, 2025)
43. Zosha Warpeha, Mariel Terán; Swarm / Enjambre (from “Orbweaver“, 2025)
44. Television Power Electric; Television Power Breakfast (from “Television Power Electric 1“, 1999)
45. Wukir Suryadi; Dark Night of the Soul (from “Nginguk & Sopo Ingsun“, 2025)
46. Carlos Giffoni, Joachim Nordwall; Florasap (from “New Music“, 2025)
47. KEK; BAREEN (from “BLASH“, 2025)
48. Paul Lytton, Joker Nies, Richard Scott, Georg Wissel; walking machine (from “Scrapheap Challenge“, 2025)
49. Tara Cunningham, Jack Cooper; Water Forget-Me-Not (from “Pond Life“, 2025)
50. Satch Hoyt; Un-Muting Beyond Misspelt Borders (B3) (from “Un-Muting“, 2025)
51. Synalegg; Computer Series 17 (from “Computer Series / Last Run“, 2025)
52. Poor Isa, Evan Parker, Ingar Zach; Ply (from “Poor Isa + Evan Parker/Ingar Zach“, 2025)
53. Mohammad Reza Mortazavi; Hidden Current. (from “Nexus“, 2025)
54. Sunn O))); Reverential (from “Eternity’s Pillars b/w Raise the Chalice & Reverential“, 2025)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 11-03-2025

Alpha State @ The Lot Radio #11.

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Nov 3
The Avalon Lounge, 29 Church St, Catskill, NY 12414
Wednesday, October 29th, 2025 • 8:00 pm – 10:30 pm
Buy Tickets

Lea Bertucci is an experimental musician whose works revolve around electronic and spatial extensions of instrument and voice. In addition to her longstanding practice performing with woodwinds, she has created compositions for strings, brass, percussion and other instruments, often incorporating electronics and multichannel sound. With an ear toward site-responsiveness and acoustics, her work has expanded toward installation and non-linear presentations of her music, often staged in hyper-resonant spaces.

Her discography spans over a decade, with eight full-length solo albums and a number of collaborative projects. She has released on a number of labels including Astral Spirits, Room40, American Dreams and Dinzu Artefacts. In 2018 and 2019, she released solo albums Metal Aether and Resonant Field on NNA Tapes, and has since founded her own label, Cibachrome Editions, with 2021’s A Visible Length of Light as the inaugural release. Recent collaborations include duos with Lawrence English, Olivia Block, Carlos Giffoni and Ben Vida, among others.

Lea has performed both within the US and internationally with presenters such as The Whitney Museum, The Museum of Modern Art New York, The Metropolitan Museum, Blank Forms, Gagosian Gallery, Pioneer Works, The Kitchen, The Walker Museum, The Art Gallery of New South Wales Sydney, Tempo Reale in Florence, Muziekgebouw Amsterdam, Museo Reina Sofia Madrid, ReWire Festival, Borderline Festival, and Unsound Festival Krakow. In 2018, she was awarded a Jfund for New Music grant from the American Composers’ Forum and a commission for a brass octet from the Levy Gorvy Gallery in New York. Lea has attended artist residencies at the Bemis Center for Contemporary Art, The MacDowell Colony, Headlands Center for the Arts and ISSUE Project Room. She has received commissions from the INA GRM in Paris, Quartetto Maurice in Turin, and ARS Nova Workshop in Philadelphia. She is a 2024 recipient of the Gigahertz Production Prize from the ZKM in Karlsruhe
http://www.lea-bertucci.com/
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Ka Baird is a performer, sound artist, musician and composer based in New York City. They are known for their live performances which include extended voice and microphone techniques combined with electronics and psychoacoustic interplay of flutes and other woodwinds. They create a present tense sound with a vigorous, ritualistic delivery that seeks extreme release through physical exertion and psychic extension. They have worked/collaborated with many other musicians, artists, filmmakers and choreographers, both in structured compositions and in their dedicated practice of improvisation and interdisciplinary work.

Their solo releases include “Sapropelic Pycnic” (Drag City 2017), “Respires” (RVNG Intl 2019), “Brooding Exercises” (Longform Editions 2021), and “Vivification Exercises” (RVNG Intl 2021). In March 2024, they released their most recent solo record entitled “Bearings: Soundtracks for the Bardos” through Brooklyn imprint RVNG Intl. Recent national and international engagements have included performances at Unsound Festival (Krakow, PL), Lampo (Chicago, IL), Museum of Contemporary Art (Chicago, IL), MoMA PS1 (Queens, NY), Issue Project Room (Brooklyn, NY), The Kitchen (NYC), The Institute of Contemporary Art (Philadelphia, PA), TUSK Festival (Newcastle, UK), Incubate (Tilburg, NL), KRAAK (Brussels, BE), Le Guess Who (Utrecht, NL), and the Festival Of Endless Gratitude (Copenhagen, DK). They have been artist-in-residence at We Jazz Festival (Helsinki, FI), Sonoscopia (Porto, PT), Inkonst (Malmo, SE), Experimental Sound Studio (Chicago, IL), and Pioneer Works (Brooklyn, NY). They have been a recipient of the Foundation of Contemporary Art’s Emergency Grant, a Jerome Foundation Artist-In-Residence at Roulette Intermedium, and is currently a Jerome Hill Artist Fellow through 2023-25.

They are one of the core members of Spires That In The Sunset Rise, founded in Chicago in 2001.
https://www.kabaird.com/

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Keith Fullerton Whitman is a Composer & Performer based in Fort Greene, Brooklyn. Initially active in more trangressive forms of improvised & electronic music, his work over the past two decades has dealt largely in the creation of & delineation of control to algorithmic & generative systems.
https://keithfullertonwhitman.com/

Lea Bertucci (record release) / Ka Baird / Keith Fullerton Whitman

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Oct 29
First Hour (Electroacoustics)

1. Éliane Radigue; Asymptote Versatile (from “ASYMPTOTE VERSATILE (1963-64)“, 2025)
2. Eva-Maria Houben; Portative Air 2 (from “Portative Air“, 2025)
3. Richard Youngs; Two Miles Out I (from “Two Miles Out“, 2025)
4. Jan Jelinek; Zwischen/Marcel Duchamp (Remix) (from “Framework / Zwischen Remixes“, 2025)
5. Karen Willems; Waterdunen (from “A Fool’s Guide To Reality“, 2025)
6. Oren Ambarchi, Fredrik Rasten; Part I (from “Dragon’s Return“, 2025)
7. Ryszard Szeremeta; Setting Up of the Neutrons (from “Ballet of the Electrons“, 1995)
8. Ø; Etude 4 (from “Sysivalo“, 2025)
9. Organum; Untitled (from “Organum Electronics“, 2019)
10. Richard Hronsky; I bid you farewell (from this world) (from “Pohreb“, 2025)
11. 7038634357; Rope (from “Rope“, 2025)
12. Todd Barton; Nexus (from “Hainbach / Todd Barton“, 2023)
13. Yan Jun, Taku Unami; Interval 1 (from “Old Tales Retold“, 2025)
14. Ryoji Ikeda; Data.Anatomy (2012/2019) (from “Music For Installations Vol.2“, 2022)
15. Ka Baird; Ictum Exercises (Polyrhythmic Studies) (from “Ictum Exercises (Polyrhythmic Studies)“, 2024)
16. Korea Undok Group; Hallway (from “Studio Cassette (Nadir)“, 2016)
17. Fossil Aerosol Mining Project; Night Roar 2025 (from “Night Roar 2025“, 2025)
18. Yoichi Kamimura; Minehama (from “Ryūhyō“, 2025)
19. Normification; 112_ass_wt_src (from “NORMIFICATION“, 2025)
20. Andy Graydon; Cloister 5.20.05 (from “At Bay“, 2007)
21. Normification; 075_nupg_wt_src (from “NORMIFICATION“, 2025)
22. Cheryl E. Leonard; Thresholds (from “Near The Bear“, 2025)
23. Dave Tucker; Once is Enough”, Already (from “Crimes Against the Avant-Garde“, 2025)

Second Hour (Deconstructions)

1. AFX; Bonus High Frequency Sounds (from “2 Remixes By AFX“, 2001)
2. AFX; Ktpa1 (from “Smojphace EP”, 2003)
3. Nobukazu Takemura; Ladder of Meaning (from “Knot of Meanings“, 2025)
4. Shapednoise; Oblivion Step (from “Absurd Matter 2“, 2025)
5. Eric Frye, Jung An Tagen; Twelve (from “Variations for Computer Ashtray“, 2020)
6. Adam Bohman; UNTITLED BACKING TRACK (from “Various Pieces [1994 to 1996]“, 2022)
7. Christer Bothen; Reh Chergi (from “Christer Bothen Donso n’goni“, 2025)
8. Jalen Elk Star; THE DARK HAS BEEN VILIFIED YET ALL LIFE EMERGES FROM THE PITCH BLACK (from “ESIN“, 2025)
9. Access to Arasaka; zproc3.40mc03 (from “:Port“, 2008)
10. Bernard, François Baschet; Valse (from “Structures For Sound 10″ (vinyl rip)“, 1965)
11. Lamin Fofana; Bird (from “Works In Metal“, 2025)
12. AtomTM; A Bailar el Tape – Charleston (from “Guter Weib“, 2025)
13. Linekraft, Iggor Cavalera; Battered Garbage 打ちのめされたごみ (from “Humiliating Human“, 2025)
14. Ariel Kalma; Boreale (from “Open Like A Flute“, 1984/2014)
15. Arturo Meza; Parte 1: a1 (from “Suite Koradi“, 1985)
16. Jørgen Træen, Stein Urheim; Pønskepause (from “Galant Galakse“, 2025)
17. Perila; grain levy tep dusk (from “omnis festinatio ex parte diaboli est (OUEST081)“, 2025)
18. Autechre; Perlence range 7 (from “Quaristice.Quadrange.ep.ae“, 2008)
19. Anne Dudley; Bubblegum (from “Sound Stage 18 The New World“, 1984)
20. Aleksi Perälä; FI3AC2513102 (from “GRACE 11“, 2025)
21. Song Myoung Kwan (송명관); 未意 (from “Alone (Solo Mind Guitar)“, 1988)
22. Andre LaFosse; Magnets and Microchips (Part 1) (from “Entry Level: An Introduction to Andre LaFosse“, 2025)
23. African-American Sound Recordings; anonymous thug matrix (from “Runway Cremations“, 2025)
24. Spite Cathedral; Rites (Sacrifice My Blood) (from “Life Kills, Bury Me In Concrete Once Again“, 2025)
25. G. I. Gurdjieff; May 20″, 1949 (from “G. I. Gurdjieff Improvisations (April – October 1949)“, 1949/2011)
26. Theodora Laird, Caius Williams; Twenty-second (from “Crosspiece“, 2024)
27. Vyto B; To Commemorate an Imaginary Life that Dies Prematurely (from “Tricentennial 2076“, 1976)
28. Federico Durand; Los Juguetes De Minka Podhájská (from “Pequeñas Melodias“, 2018)
29. Christoph De Babalon; ISA (from “Vale“, 2023)
30. Star Shepherd; Extra Star Shepherd Synth Demo – Living in a Bubble of Mystique (from “Current Explorations In Star Synthesis“, 2018)
31. Geir Jenssen, E-Man; Upland (from “E-Man“, 1984/2009)
32. JFK; Pro-Erg 1 (from “Tape Archives 86-88“, 2022)
33. Metabolist; Le Grand Prique (from “Hansten Klork“, 1980)
34. %% 30% 30, Brian Ruryk; Dundas Lansdowne (from “Outside“, 2025)
35. Keiichiro Shibuya; Slave To The Rhythm (from “ATAK026 Berlin“, 2022)
36. Mick Harris; The Floor (from “Culvert Dub Sessions Four“, 2025)
37. Marta Forsberg; Subharmonics (from “Archaeology of Intimacy“, 2025)
38. Iwakura; Level 1 Habitable Zone (from “Backrooms Original Soundtrack“, 2022)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 10-06-2025

Alpha State @ The Lot Radio #10.

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Oct 6
First Hour (Electroacoustics)

1. Jean-Claude Eloy; Oppression – Libération (from “Reminiscences“, 2025)
2. Eva-Maria Houben; unda maris (2013) (from “unda maris“, 2025)
3. Éliane Radigue; Asymptote Versatile (from “ASYMPTOTE VERSATILE (1963-64)“, 2025)
4. Fredrik Rasten; Murmuration VII (from “Murmuration VII“, 2025)
5. Ernie Morgan; Remains. Undated (Disc 1) (from “The Alien Territory Archives: A Collection of Radical, Experimental, & Irrelevant Music from 1970s San Diego“, 2025)
6. Asher Tuil; Untitled Fictions II.III (from “Untitled Fictions II“, 2025)
7. Lea Bertucci; Sister of Sleep (from “The Oracle“, 2025)
8. Olivia Block; Breach (from “Breach“, 2025)
9. Richard Lerman; For Two of Them [1964] (from “Music of Richard Lerman“, 2006)
10. Andy Clausen; Introit (from “Heart of Tones: Solo Trombone at The TANK, Vol. 2“, 2025)
11. Jefre Cantu-Ledesma; September (from “SEPTEMBER“, 2025)
12. Robert Cahen; Passé composé (from “La nef des fous“, 2024)
13. Mark Harwood; Modify The Ventriloquist (from “Two Actors“, 2025)
14. Andrew Rudin; Hybris (from “Tragoedia • A Composition In Four Movements For Electronic Music Synthesizer“, 1968)
15. Aki Onda; Screen Test (from “In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern“, 2025)
16. Haruki Tsuchiya; Bit Music (Excerpt) (from “Cybernetic Serendipity Music“, 1968)
17. Alfredo Costa Monteiro; QUALIA (from “QUALIA“, 2020)
18. Marja Ahti/Manja Ristić; Low-flying Clouds (from “Transference“, 2025)
19. Whitney Johnson, Lia Kohl, Macie Stewart; Stone Piece II (from “BODY SOUND [STONE PIECE]“, 2025)
20. Barry Schrader; The Commander’s Death (from “Galaxy of Terror“, 1981/2018)
21. T.H. O’Beirne; Eneadic Selections (from “Cybernetic Serendipity Music“, 1968)

Second Hour (Deconstructions)

1. Robert Turman; Insecta. 1977 (from “The Alien Territory Archives: A Collection of Radical, Experimental, & Irrelevant Music from 1970s San Diego“, 2025)
2. Altar Of Flies; På väg (from “A Lifetime“, 2025)
3. Tony Lugo & Frank Rosaly; Allí Va (from “Pistas“, 2025)
4. Al Wootton; Armen (from “CRUX“, 2025)
5. Merzbow; Om-Hum (from “AKA MEME“, 1984/2025)
6. Microstoria; Fund (from “Init Ding + _SND (Remastered)“, 1995/2024)
7. Zoviet France; Scrama Mdags (from “Garista“, 1982/2019)
8. Chuquimamani-Condori; LRC (feat. Pueblo De Dios Capo E DJ edit) (from “Edits“, 2025)
9. Jetski; Point Blank (from “The Radiant Radish“, 2025)
10. Chicago Underground Duo; Rhythm Cloth (from “Hyperglyph“, 2025)
11. Dancefloor Classics; Please Come Out (from “Dancefloor Classics Vol. 1-5“, 2024)
12. INTERREGNO TRIO; ATO 3 (from “INTERREGNO TRIO“, 2019)
13. Okkyung Lee; let’s walk down to the swamp together (from “just like any other day (어느날) : background music for your mundane activities“, 2025)
14. Dale Cornish; Breadcrumb Trail (from “Altruism“, 2025)
15. Wadada Leo Smith, Barry Schrader; Pacific Light and Water / Wu Xing: Cycle of Destruction (from “Pacific Light and Water / Wu Xing: Cycle of Destruction“, 2020)
16. Chester Schultz; Sounds Like Work: 4 (from “Sounds Like Work“, 2024)
17. Jad Atoui, Jawad Nawfal, Sharif Sehnaoui; Modern Individual (from “Modern Individual“, 2024)
18. Wilhelm Bruck & Theodor Ross; Salut für Caudwell (1977) (from “Gran Torso / Salut Für Caudwell“, 1986/2008)
19. Lagoss, Abagwagwa; Canopius (from “Island Slang“, 2025)
20. Berner Streichquartett; Gran Torso (1971) (from “Gran Torso / Salut Für Caudwell“, 1991)

21. Maliks Emerging Force Art Trio; when force meet (from “Time And Condition“, 2022)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 09-08-2025

Alpha State @ The Lot Radio #9.

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Sep 8
First Hour (DJ CALDERINO on the Mix!)

1. [Desolate Deep] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
2. [Mushgrove Swamp] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
3. [Moosewood] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
4. [Ocean] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
5. [Roslit Volcano] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
6. [Snowcap Island] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
7. [Terrapin Island] (from “Fisch – Unofficial Soundtrack [Gamerip]“, 2024)
8. [Athazagoraphobia] (from “Find the Chomiks OST“, 2021)
9; [Xolotl] (from “Find the Chomiks OST“, 2021)
10. [Conceptual Phase] (from “Find the Chomiks OST“, 2021)
11. [Jazzy Jams] (from “Find the Chomiks OST“, 2021)
12. [ROYGBIV] (from “Find the Chomiks OST“, 2021)
13. [Splendor and Majesty] (from “Find the Chomiks OST“, 2021)
14. [ChomcoOS] (from “Find the Chomiks OST“, 2021)
15. Onett; Stickbug (from “Bee Swarm Simulator [Original Game Soundtrack]“, 2018)
16. Onett; Wax (from “Bee Swarm Simulator [Original Game Soundtrack]“, 2018)
17. Onett; Drone (from “Bee Swarm Simulator [Original Game Soundtrack]“, 2018)
18. Onett; Mountain Call (from “Bee Swarm Simulator [Original Game Soundtrack]“, 2018)
19. Waterflame; Clutterfunk (from “Geometry Dash (Soundtrack, All Volumes)“, 2013)
20. dj-Nate; Clubstep (from “Geometry Dash (Soundtrack, All Volumes)“, 2013)
21. MDK; Press Start (from “Geometry Dash (Soundtrack, All Volumes)“, 2013)
22. Waterflame; Space Pirates (from “Geometry Dash (Soundtrack, All Volumes)“, 2013)
23. Venetian Snares; 1000 Years (from “My Love Is A Bulldozer“, 2014)
24. [Coated in Crimson] (from “Find the Chomiks OST“, 2021)

Second Hour (Electroacoustics & Deconstructions)

1. Nick Sylvester; Barry (from “Stereo Music for Breakbeats and Samplers“, 2025)
2. NZO; Rolling Around (from “Come Alive“, 2025)
3. Peter Blasser; ktonkBIPHENYL (from “mandarinBounce“, 2018)
4. Concepción Huerta; El fuego y la luz están aquí (from “El Sol de los Muertos“, 2025)
5. Bizzy B; Merda Style 2004 (from “Science EP- Volumes III + IV“, 2025)
6. Andrew Bentley; Carillon (1977) (from Soundcloud)
7. Fredrik Rasten; Lineament I (from “Lineaments“, 2023)
8. Giant Claw; Decadent Stress Chamber (from “Decadent Stress Chamber“, 2025)
9. Laetitia Sonami; A Historical Moment On A Line Between A And B (from “Dangerous Women: Early Works 1985-2005“, 2025)
10. Afrikan Sciences; Tapenade (from “.5x100Rf(est.1974)“, 2024)
11. Chris Rainier; The Conflict Made Visible By the Cloud-Masses Plucked from the Heavens (from “Sorrowful Songs of the Silverswords“, 2023)
12. Jessika Kenney; Turning Inward (from “ATRIA“, 2015)
13. Cherrystones x Demdike Stare; Energy Source Transmutation (press shift 3 times) (from “Who Owns The Dark?“, 2025)
14. Mark Fell; Combination #5 ( • | 6 | 6 | 3 | 4 | 7 ) (from “Psychic Resynthesis“, 2025)
15. Mentocome; 12 (from “Mentocome (from “Mentocome“, 1992/2025)
16. Purelink; Kite Scene (from “Faith“, 2025)
17. John Also Bennett; A Handful of Olives (from “Στoν Eλaιώνa / Ston Elaióna“, 2025)
18. Nate Young; Regression Live (from “Regression – Live at Golden Pudel“, 2025)
19. Molly Raben; Earth Turning Flower Spirit (from “In the Kingdom of Flowers“, 2025)
20. Ole Steen Petersen; Kontraster / Contrasts (from “Danske Båndamatører / Danish Tape Amateurs 1959-1976“, 2018)
21. Sa Pa; Ride High (from “Ambeesh“, 2025)
22. Hans Reichel, Sven-Åke Johansson, Ernst Ludwig Petrowsky; Loft IV (from “Loft München 1980“, 2023)
23. Per Nørgård; Najads, part II (from “Expanding Space“, 1987/2018)
24. Nervous Gender; Exorcism (from “Music From Hell” 1981/2023)
25. DJ /rupture; Paloma Grease (from “The Bug vs. The Rootsman / DJ /rupture“, 2003)
26. Morteza Mahjubi; Improvisation in Mahur (Yek Shakheh Gol #146) (from “Selected Improvisations from Golha, Pt. II“, 2021)
27. Tony Rolando; Its a Shame Its Gone but We Go On (from “Multiple Futures“, 2023)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 08-11-2025_1

Alpha State @ The Lot Radio #8.

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Aug 11
First Hour (Electroacoustics)

1. Farah Kaddour Marwan Tohme; Kayfa Taltaqi el-Qulub (from “Ghazel“, 2025)
2. Chiyoko Szlavnics; For Eva Hesse (from “Memory Spaces“, 2025)
3. Susana López; Mundus Imaginalis (from “Materia Vibrante“, 2025)
4. Vibracathedral Orchestra; 14 / 17 August 2024 (from “14 / 17 August 2024“, 2024)
5. Amina Hocine; Ā̄tamōn I (from “Ā̄tamōn“, 2025)
6. Dan Kirsten; Electronic Effects (from “Media Music Release No. 4 – Space-Age / Electronic Effects“, 1969)
7. Brighde Chaimbeul; Dùsgadh/Waking (from “Sunwise“, 2025)
8. Samara Lubelski; V2 (from “V1/V2“, 2025)
9. Jojo Takayanagi With John Zorn; Brecht ’47 (from “Experimental Performance With John Zorn“, 1986)
10. Philip Samartzis; Davis Station (from “Antarctica – An Absent Presence“, 2016)
11. Pub; Summer (from “Summer“, 2000)
12. Luc Ferrari; Dérivatif (2005-08) (from “Complete Works 15”, 2008)
13. Errance; 3 Timbres oblitérés (from “Timbres Oblitérés“, 2024)
14. Jean-Marie MASSOU; C_07 la complainte contre la maternité (from “La citerne de Coulanges“, 2018)
15. Osmo Lindemann; Tropicana (1970), Midas (1970) (from “Electronic Works“, 2023)
16. ENSEMBLE NIST-NAH; Uncle (from “Spilla“, 2025)
17. Andrew Pekler; Globestructures: Option II (from “New Environments & Rhythm Studies“, 2025)
18. Lamin Fofana; Shards (East Winds) (from “Out of Water Light Congregates Endlessly“, 2025)
19. Amina Claudine Myers; Song for Mother E (from “Solace of the Mind“, 2025)
20. Eiko Ishibashi and Jim O’Rourke; Pareidolia (Single Edit) (from “Pareidolia (Single Edit)“, 2025)
21. Knud Viktor; Image IX (excerpts) (from “TERRAFORM – I Knud Viktors Lydspor“, 2025)

Second Hour (Deconstructions)

1. Dj BeBeDeRa; FodanCia Do Mais Velho Aguado (from “Clássico“, 2025)
2. Rhodri Davies, C. Spencer Yeh; AADDFFDDAA (from “Relics of the Horsehair Harp“, 2024)
3. Laurie Spiegel, Don Christensen; Donnie and Laurie (from “Donnie and Laurie“, 2018)
4. Sonology Electroacoustic Ensemble; SEE 20130305 (from “volume two“, 2025)
5. Rhodri Davies, Pat Thomas; Maddad (from “Relics of the Horsehair Harp“, 2024)
6. Doug Tuttle; Exploding Gavel (from “Fearful Guitar“, 2023)
7. Temporal Pain; Waves Hit, Losing It, Baptist Girls, I’m Dead (from “More To Come“, 1982)
8. Zuli; Care (from “Care“, 2025)
9. Marcia Bassett, Chuck Bettis; Sunview Mar 23 (from “Sunview“, 2025)
10. Vox Populi!; Mind (from “Cut Chemist Presents Funk Off Featuring Vox Populi! and Pacific 231”, 2013)
11. Oxomaxoma; Fantasías para Percusiones y Flauta (from “Designios“, 2020)
12. Okay Temiz; Denizaltı Rüzgarları (from “Dokuz Sekiz b/w Denizaltı Rüzgarları“, 1976)
13. Doug Tuttle; Split Milk (from “Fearful Guitar“, 2023)
14. Paul DeMarinis; 3 Easel Studies for Wendy Rogers (from “3 Easel Studies for Wendy Rogers“, 2023)
15. Organs Obsolete; Another Fire (from “RRH1“, 2025)
16. ROC; MAKINA TRAX VOL. 2 —- 38 (from “MAKINA TRAX VOL. 2“, 2025)
17. Milan Grygar; Akustická Kresba (from “Akustické Kresby / Acoustic Drawings“, 2017)
18. Quad; Outer Groove (Parts 1,2 And 3) (from “Q“, 1998)
19. Merzbow; Sedonis A (from “Sedonis“, 2024)
20. Tim Barnes; Putting Socks On Centipedes (feat. Oren Ambarchi) (from “Lost Words“, 2025)
21. Sergio Armaroli, David Toop; Stone and Ocean (from “Decay Music 10: And I Entered Into Sleep“, 2025)
22. Kit Clayton; Enkidu (from “Microsolutions #1: Microsolutions to Megaproblems”, 2005)
23. Jäy Condom, Gärs Panter; Old East Texas Plankton, Pandomoniax (from “Durchfall Frum Der Colahaus“, 1978)
24. WINO-E; double sundae (extended) (from “WINO-E“, 2025)
25. K. Yoshimatu; Platinum Night (from “Melancholy Mix“, 1982)
26. Paul Feinberg; roof winter (from “Vacations”, 1979)
27. Analog Tara; Extended Study (Mix) (from “Jomox Studies“, 2023)
28. Soula; \ | / ‘-.;;;.-‘ -==;;;;;==- ~~~~ .-‘;;;’-. / | \ (from “Draw me a soundscape in ASCII“, 2023)
29. Les Rallizes Dénudés; 黒い悲しみのロマンセ Otherwise Fallin’ Love With (from “MIZUTANI / Les Rallizes Dénudés“, 2022)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 07-14-2025

Alpha State @ The Lot Radio #7.

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Jul 14
First Hour (Electroacoustics)

1. Corneliu Cezar; “Ziua Fără Sfârșit” (from “Ziua Fără Sfârșit“, 2025)
2. Ernst Thoma; “Improvisation mit Programm und live Elektronik” (from “Reels 1977-1986“, 2024)
3. Ellen Arkbro; “Nightclouds” (from “Nightclouds“, 2025)
4. Sarah Peebles; “Where All the Wild Things Went” (from “Female of the Species Volume 1“, 1999)
5. Massimo Toniutti; “Rot im Studio (dritte Sonate)” (from “Rot im Studio (dritte Sonate)“, 2021)
6. Matmos; “The Rust Belt” (from “Metallic Life Review“, 2025)
7. Anestis Logothetis; “Untitled, Coloured Noise, Tape From the Archive (Vienna, 1962 – 67)” (from “Electroacoustic Works“, 2011)
8. Guy Reibel; “Canon sur une trompe africaine” (from “INASOUND Retour aux sources de l’électro avec l’INA GRM“, 2018)
9. Costin Miereanu; “Finis-Terre (1978)” (from “Poly-Art Recordings 1976-1982″, 2025)
10. Axel Dörner & Richard Scott; “Density Scale” (from “Seven Types of Ambiguity“, 2016)
11. Tim Olive; “Flawed Gait 2” (from “Flawed Gait“, 2024)
12. Terre Thaemlitz; “Couture Cosmetique (live at Podewil 11/10/99)” (from “Sampling Rage“, 2002)
13. Manja Ristić; “The Abyss” (from “Sargassum aeterna“, 2025)
14. Repetition Repetition; “Seven and Seven” (from “Fit for Consequences: Original Recordings, 1984-1987“, 2025)
15. Hugo Lioret; “AE8B9A19” (from “I“, 2023)
16. Joji Yuasa (湯浅譲二); “Voices Coming (NHK Electronic Music Studio) (1969)” (from “Piano Works & Tape Music“, 2009)
17. Qasim Naqvi; “Plastic Glacier” (from “Endling“, 2025)
18. Robert Cohen Solal; “La Machine à pomper” (from “INASOUND Retour aux sources de l’électro avec l’INA GRM“, 2018)
19. Kazunao Nagata & Kenta Araki; “Live Electronics Session At Koenji 2005.4.6” (from “2005.4.6“, 2011)
20. Laurie Spiegel; “Passage (1991)” (from “CAA—0“, 2012)
21. Russ Hodge; “Baros de mon dan covit” (from “Im Silo – Alte Musik und Neue Improvisationen“, 1998)
22. Jörg Thomasius; “Meditation” (from “Acht Gesänge Der Schwarzen Hunde (Experimenteller Elektronik-Underground DDR 1980-1990)“, 2022)

Second Hour (Deconstructions)

1. Daedelus; “Ult” (from “Tumult“, 2024)
2. Rian Treanor with Rotherham Sight & Sound; “Action 1 – Pass The Go” (from “Action Potential“, 2024)
3. Logos & Mumdance; “Hall of Mirrors” (from “Proto“, 2015)
4. Zeno van den Broek; “The Light of Dawn Drowning in the Clear Plastic of Space” (from “Forming Folds“, 2025)
5. Iueke; “Des Fureurs Héroïques” (from “LIES-164“, 2021)
6. Tom Carter & Pat Murano; “Astral Light” (from “Songs of Eliphas Levi Zahed“, 2025)
7. François Bayle; “Polyrythmie” (from “INASOUND Retour aux sources de l’électro avec l’INA GRM“, 2018)
8. Marcel Sletten; “Lamb (Album Version)” (from “Heather and Birch“, 2024)
9. Francesco Leali; “Drop, pt. II” (from “Ultrabody“, 2025)
10. Peter Laughner; “Lullaby” (from “Peter Laughner • 1973 – 1977 (Pledging My Time)“, 2019)
11. DJ Marfox; “Batimento” (from “Não Estragou Nada“, 2025)
12. Cyrus Pireh; “Infinite Shred” (from “Thank You, Guitar“, 2025)
13. YOKUBARI; “Kumo Tono Kusen” (from “ELECTRONIC KUMOKO cloudchild“, 2022)
14. Knurl; “Between The Opposing Beliefs” (from “Obtain By Sacrifice“, 2024)
15. Ben LaMar Gay; “roller skates” (from “Yowzers“, 2025)
16. Slapp Happy; “The Drum” (from “Acnalbasac Noom“, 1980)
17. Richard Scott; “Swerve” (from “Bastard Science EP (OCR-001)“, 2025)
18. Nadah El Shazly; “Enti Fi Neama” (from “Laini Tani“, 2025)
19. Ernst Thoma; “Winterspiel 4” (from “Reels 1977-1986“, 2024)
20. Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer; “Écoute Au Loin” (from “The Closest Thing to Silence“, 2024)
21. PER-SON-ELL [Martin Klapper, Sture Ericson, Rex Casswell]; “Paragraph Two” (from “Volume 2“, 2025)
22. Jameszoo; “(Egg Modern)” (from “Music for 17 Musicians“, 2025)
23. Lamin Fofana; “Niary Ngorong (Caprices Mix)” (from “Holy Tongue, Beatrice Dillon, Lamin Fofana, LABOUR“, 2023)
24. Kindohm & Jesse Whitney; “New Death New Life” (from “Three Degrees“, 2022)
25. Jeremiah Chiu; “Brush with Thin Air” (from “In Electric Time“, 2023)
26. Lyra Pramuk; “Gravity” (from “Hymnal“, 2025)
27. Benoît Pioulard; “And” (from “Clear [early 4-track recordings]“, 2001)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 06-16-2025

Alpha State @ The Lot Radio #6.

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Jun 16
First Hour (Electroacoustics)

1. Joshua Bonnetta; Winter (from “The Pines“, 2025)
2. Aleksandra Słyż; Tonarium II (from “Tonarium Live“, 2025)
3. Oksana Linde; Mundos flotantes (from “Travesías“, 2025)
4. Harley Gaber; I Saw My Mother Ascending Mount Fuji (from “I Saw My Mother Ascending Mount Fuji“, 2010)
5. Catherine Lamb x Ghost Ensemble; VI. (from “interius/exterius“, 2025)
6. Corneliu Cezar; Rota (from “Ansamblul Hyperion“, 2025)
7. Enrique Ramírez & Matthias Puech; Le Crépuscule Des Forficules (from “From the Other Side of a Landscape“, 2025)
8. Arcane Device; Penetrating Black Ice (from “Fetish“, 1990)
9. Rashad Becker; Zero Hour (from “The Incident“, 2025)
10. Mads Emil Dreyer, Sistro Duo; Figure Pieces, VIII (from “Figure Pieces“, 2025)
11. Cole Pulice; In a Hidden Nook Between Worlds II (from “Land’s End Eternal“, 2025)
12. Halim El-Dabh; Alcibiadis’ Monologue to Socrates (from “Crossing into the Electric Magnetic“, 2001)
13. Ernst Karel; Fern Room 3 (from “Fern Room“, 2023)
14. Hans Kulk, Waclaw Zimpel; Sri Crickets (from “Breath of Brahma & Sri Crickets“, 2022)
15. Max Eastley; Monochord (from “Installation Recordings (1973-2008)“, 2010)
16. Laura Cocks; A thread held between your fingers (from “FATHM“, 2025)
17. William Tyler; A Dream, A Flood (from “Time Indefinite“, 2025)
18. Jules Reidy & Sam Dunscombe; Gracelords (from “Edge Games“, 2025)

Second Hour (Deconstructions)

1. Theo Burt; Snap! ‘Rhythm Is a Dancer’ divided into eighth-beats and reordered so that each piece is followed by the piece most similar to it from those remaining (from “Automatics Group Remixes – Archive 2012 to 2016“, 2023)
2. Barker; Reframing (from “Stochastic Drift“, 2025)
3. Konk Pack; Odile Meets Kipper (from “Big Deep“, 1999)
4. Calum Gunn; Longevity (from “Burnt Motto“, 2024)
5. Jean-Marc Montera; Micriosystem Area Project (from “Smiles From Jupiter“, 2000)
6. Heith; Come, Sweet (feat. James K) (from “Escape Lounge“, 2025)
7. Anton Bruhin, Wanja Gwerder; Täktli (from “Maultrommel, Mundharmonika, Kamm“, 1979)
8. Amelia Cuni; Solo for Voice 58: Raga 18 (from “Solo for Voice 58: 18 Microtonal Ragas“, 2007)
9. Diseno Corbusier; Plegaria (from “El Alma de la Estrella“, 1986)
10. Didem Coşkunseven; A Strange Place (from “A Strange Place“, 2025)
11. Chad M. Clark; Tables for Light (from “Moun Dons (DT-003)”, 2021)
12. Walter Maioli, John Zandijk; Track 1 (from “Star Rover“, 2025)
13. Kurt Weisman; Ghost Pipes (from “Ghost Pipes“, 2025)
14. Masahiko Satoh; Multi-Spheroid Part 1 (from “Multi-Spheroid – Solo Piano 3“, 1977)
15. MATS LINDSTRÖM; LOW FIDELITY I (from “LOW FIDELITY“, 2025)
16. Chuquimamani-Condori & Requisit; Red Road (from “Red Road“, 2023)
17. Dexter Wansel; Rhodes Piano One (from “Keyboard Riffs For DJ’s Volume 2“, 1993)
18. Elkotsh; Mwlid Ala’sar (from “rhlt jdi“, 2025)
19. N.M.O.; La musica inizia quando la ascolti o quando la fai? (from “Nuova Musica Ostinata“, 2019)
20. Mattin, Asha Sheshadri; Slices of Life (from “Slices of Life“, 2023)
21. Evan Pincus; Varispeed (from “Scenes and Movements for Tenor Guitar“, 2025)
22. Topdown Dialectic; 10 (from “/\\09“, 2015)
23. Ferial Confine; Part 4 (from “The Full Use Of Nothing“, 1985)
24. Zazou, Bikaye and CY1; M’Pasi Ya M’Pamba (from “Noir Et Blanc“, “1983)
25. This Heat; Paper Hats (from “1979-10-20 – Prince of Wales Conference Centre, London, England“, 1979)
26. Tête de Chou; – B – … and thereafter… 1. a minor prang occurs at 5-22-9, 2. cool air yields to the last strings, 3. and the fifth floor awaits silence, 4. as inundation draws the curtains. (from “Tête De Chou“, 2025)
27. Pete Cosey (Miles Davis); Gondwana (Outro) (from “Pangaea [SRCS 9130~1]“, 1996)
28. Pete Cosey (Miles Davis); Interlude / Theme From Jack Johnson (Outro) (from “Agharta [SRCS 9129]“, 1996)

29. Dewey Redman; QOW (from “The Ear Of The Behearer“, 1973)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 05-25-2025

Alpha State @ The Lot Radio #5.

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May 25
The Lot Radio · Carpark 25th Anniversary! @ The Lot Radio 05-22-2025

Carpark 25th Anniversary @ The Lot Radio.

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May 22
First Hour (Electroacoustics)

1. Bohdan Mazurek; “Canti (1973)” (from “Would It Sound Just as Bad If You Played It Backwards, Vol. 1“, 2022)
2. Noah Jenkins; “Rotations Placement Providence Everywhere (2018)” (from “Without Persistent Environments“, 2024)
3. Ivo Malec; “Luminétudes” (from “3L“, 1971)
4. Snapir & Aenie; “0202: Ignisomnia” (from “Egression“, 2025)
5. Vladimir Ussachevsky; “Of Wood and Brass (1965)” (from “Electronic and Acoustic Works 1957-1972“, 1999)
6. Luigi Nono; “Omaggio a Emilio Vedova” (from “Complete Works for Solo Tape“, 2006)
7. Raoul De Smet; “Isolde’s Dood” (from “Raoul De Smet“, 2025)
8. Abdullah Miniawy; “Half a year II نصف عام آخر” (from “Nigma Enigma أنيجم النَجم”, 2024)
9. James Hoff; “Half-After Life” from “Shadows Lifted from Invisible Hands“, 2024)
10. Af Ursin; “Mistake Five” (from “Classement Vertical“, 2016)
11. Ana Dall’Ara-Majek; “Ostinato Micromacro” (from “Radiolaria“, 2024)
12. john grzinich; “Sine Space Feedback” (from “Destinations Unknown: Early Tape Experiments, 1993-1995“, 1995)
13. Эдуард Николаевич Артемьев (Eduard Nikolayevich Artemyev); “Пропасть (Кф ”Телохранитель” (1979)) (The Abyss)” (from “Антология. Том II / Anthology. Vol. II“, 2023)
14. David Jacobs; “Hanging Pieces, 1970-1971” (from “The Sounds Of Sound Sculpture“, 2024)
15. The New Blockaders; “Meta-Klamauk (For Jean Tinguely)” (from “Crincum-Crancum / Meta-Klamauk (For Jean Tinguely)”, 2010)
16. Éric La Casa; “S’ombre, Part 1” (from “W2 [1998-2008]“, 2010)
17. Terre Thaemlitz; “She Maybe May Be… [Edit]” (from “Snowflakes & Dog Whistles: Best Electroacoustic Ambient & Sexpanic 1995-2017“, 2024)
18. Ahti & Ahti; “Nokivesi – Part 1” (from “Nokivesi“, 2023)
19. Thea Farhadian; “Mokats Mirza” (from “Tattoos and Other Markings“, 2025)
20. Tózé Ferreira; “O Verão Nasceu Da Paixão De 1921” (from “Música de Baixa Fidelidade“, 2025)
21. Sydney Spann; “Possession” (from “Sending Up A Spiral Of“, 2023)
22. Ellen Phan; “Transform” (from “Free Thinker“, 2023)
23. Michael Ranta; “Kagakuhenka” (from “Oto No Hajimari Wo Motomete 4 [Shigeru Sato Work]“, 2023)
24. Meng Qi; “Whale Child” (from “Synthetic China Vol 1 合成中国”, 2018)
25. toru yamanaka & teiji furuhashi / Dumb Type Theater; “SWEET HOME” (from “睡眠の計画 Plan For Sleep“, 2024)
26. Jean Schwarz; “Il était une fois — Esquisse” (from “Mosaïque — Il était une fois“, 2021)
27. Jonty Harrison, Stephen Cottrell; “EQ” (from “The Electric Saxophone“, 2000)
28. Lâmina; “Éclipse” (from “Sueños acuáticos“, 2024)
29. R. Luke Dubois; “July 13A” (from “Modulisme Session 092“, 2023)
30. Simon Whetham; “012” (from “Channelling“, 2024)
31. Sun Yizhou; “07’46” (from “typewriter in the rain“, 2024)
32. Max Eilbacher; “The Third Part of the Night” (from “7 Runs (In Arc Mental Styling)“, 2025)
33. Ruth Anderson; “Conversations” (from “Tête-à-tête“, 2023)
34. Joji Yuasa; “IBM Music (1976)” (from “Obscure Tape Music of Japan Vol.29 – Music For Gallery Kuniharu Akiyama“, 2025)

The Lot Radio · Alpha State with Keith Fulllerton Whitman @ The Lot Radio 04-21-2025

Alpha State @ The Lot Radio #4.

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Apr 21
First Hour (Electroacoustics)

1. José Augusto Mannis; “Cyclone (1983)” (from “Musica Electroacustica de Compositores Latinoamericans“, 1995)
2. crys cole; “Making Conversation” (from “Making Conversation“, 2024)
3. Annette Vande Gorne; “Feu, Deuxième Elément (1986)” (from “Tao“, 1993)
4. Universal Cell Unlock; “Doing The Job No Other Could Do” (from “Quasimodo The Streetsweeper“, 2024)
5. Zdena Rosolová, Svatava Rumlová A František Derfler; “Text Pro M. M. (1964)” (from “Fragmenty 1963/1964“, 2002)
6. Hands To; “For Harry” (from “Klangfiguren“, 2023)
7. jonáš gruska; “temporal deceleration” (from “harkening critters“, 2024)
8. Teresa Burga; “Mensaje 4 (de 4 Mensajes) (1974)” (from “Estructura Propuesta Sonido: Piezas para instalaciones y composiciones con notas al azar (1972-2017)“, 2023)
9. Pavel Milyakov; “GTR Chords Movement 1” (from “Random and Emblematic: The Sound of Space“, 2023)
10. Janez Maticic; “Tri Vizije Op. 46: Extasis (1975)” (from “Extasis – Elektroakustična Glasba“, 2011)
11. Raglani; “Love” (from “Days Of Evaporation (Pre-Master)“, forthcoming, 2025)
12. Arne Mellnäs; “Eufoni (1969)” (from “Music for Tape / Band – Musik From Sweden / Aus Schweden / Från Sverige“, 1973)
13. The Will Gregory Moog Ensemble; “Noise Box” (from “Undercurrents“, 2015)
14. Nicolas Collins; “Lightning Strikes Not Once But Twice” (from “America the Beautiful“, 1994)
15. Dean Spunt; “Find Me in the Forums” (from “Basic Editions“, 2024)
16. Drew McDowall; “Agalma VII (demo)” (from “Lamina“, 2023)
17. Zeno van den Broek & HIIIT; “MA(N|CHINE) – Movement one: System” (from “Relatum“, 2024)
18. Robert Schwarz; “BCL” (from “Stridulations 1-14“, 2024)
19. Louis Haiman; “Wander” (from “Extending Electronic Music’s Lineage…“, 200)
20. Ricardo Dal Farra; “Memorias (1992)” (from “Musica Electroacustica de Compositores Latinoamericans“, 1995)
21. Büşra Kayıkçı; “Genius Loci” (from “Random and Emblematic: The Sound of Space“, 2023)
22. Beth Anderson; “Ode (1975)” (from “Peachy Keen-O“, 2003)
23. Bengt Emil Johnson; “Through the Mirror of Thirst (Second Passage) (1969)” (from “Music for Tape / Band – Musik From Sweden / Aus Schweden / Från Sverige“, 1973)
24. Janet Beat; “Piangam (1978-9) 2nd Movement “Nocturne” For Piano And Tape” (from “Pioneering Knob Twiddler“, 2021)
25. Don Hünerberg, Peter Gillespie; “You Excite Me” (from “Phase Murmur“, 2025)
26. François J. Bonnet; “Banshee” (from “Banshee“, 2025)
27. Voice Crack; “With a Shot of Pink” (from “Below Beyond Above“, 1997)
28. Eduardo Polonio; “Alejandría” (from “Acaricia la Mañana“, 1984)
29. andrew pekler; “interspecies rhythm study (m.ocharcea, synthetic percussion, chords and bass)” (from “harkening critters“, 2024)

Second Hour (Deconstructions)

1. Angelwings Marmalade; “Sushi, Xylitol, Live Resin, Dan McLellan” (from “As The Motherboard Watched Back“, 2024)
2. Suicide; “Maxs Jan 13 (Ghostrider / Rocket USA / Cheree / Dance / 96 Tears / Frankie)” (from “Live 1977-1978“, 2008)
3. Michelle Lou & Stefan Maier; “Live at UCSD” (from “Live at UCSD“, 2024)
4. crying chiyo; “Sculptures In The Rain” (from “All Around Alienated“, 2025)
5. Matthew Ryals; “etude no. 10 (take 8)” (from “Generative Etudes Vol. 3.0“, 2025)
6. Ben Kudler; “The Luminous Melody of Proper Sound” (from “Pulsar.scramble vol. 3“, 2021)
7. Saint Abdullah & Eomac; “Bespoke torture” (from “Light meteors crashing around you will not confuse you“, 2024)
8. Beth Anderson; “Ocean Motion Mildew Mind” (from “Peachy Keen-O“, 2003)
9. Lomar Spxce; “Shared Telepathy” (from “Extending Electronic Music’s Lineage…“, 2004)
10. Don Hünerberg, Peter Gillespie; “Mixture” (from “Phase Murmur“, 2025)
11. Chuck Bettis; “Disarm Nihilism” (from “Revolutionary Optimism“, 2025)
12. Chlorgeschlecht; “Release That Ibiza Feeling” (from “Unyoga“, 2003)
13. DJ Ramon Sucesso; “Sexta dos Crias” (from “Sexta dos Crias“, 2023)
14. Deena Abdelwahed; “Zardet Sidi Bagra” (from “Dhakar“, 2020)
15. Clever Austin; “strange 5” (from “Elec. Tape“, 2023)
16. Zuli; “Release +ϕ” (from “Lambda“, 2024)
17. Carl Erdmann; “Holobizzare” (from “Bizzarrophytes“, 2022)
18. Zuli; “The Horn” (from “Lambda“, 2024)
19. Portion Control; “Collapsed” (from “Three Times A Day“, 1983)
20. Kavain Wayne Space & XT; “Side A” (from “YESYESPEAKERSYES“, 2024)
21. Zusaan Kali Fasteau; “Night sky” (from “Bliss“, 1986)
22. Burnt Friedman; “Tipo Duro (Extended Version)” (from “Hexenschuss“, 2023)
23. Bernar Venet; “The Infrared Polarization of the Infrared Star in Cygnus” (from “The Infrared Polarization of the Infrared Star in Cygnus“, 1968)
24. Ak’chamel; “Apocalypse by Oud” (from “Rawskulled“, 2024)
25. aya; “tailwind” (from “im hole“, 2021)
26. Steve Marcus / Miroslav Vitous / Sonny Sharrock / Daniel Humair; “The Echos” (from “Green Line“, 1970)
27. Ale Hop & Titi Bakorta; “Así Baila el Sintetizador” (from “Mapambazuko“, 2025)
28. Bjarki; “Healing From Memory” (from “A Guide To Hellthier Lifestyle“, 2025)
29. Blawan; “NPCs Making Hot Dinner” (from “BouQ“, 2024)

30. Anthony Braxton; “G N 6 (X’ 70B) K ‘7 (Dedicated To David Tudor)” (from “Recital Paris 1971“, 2019)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 03-24-2025

Alpha State @ The Lot Radio #3.

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Mar 24
First Hour (Electroacoustics)

1. Luc Ferrari; “Ça va bien, merci ! (1989)” (from “Complete Works 09“, 2024)
2. Diane Barbé; “le grand jardin de coupigny” (from “musiques tourbes“, 2024)
3. Lau Nau & Joshua Burkett; “~ 3” (from “~“, 2025)
4. Tomutonttu; “Spiralisoivasti soiva (jäädytetty)” (from “Halki pilvien“, 2024)
5. James Rushford; “Quire I” (from “Turzets“, 2024)
6. James Rushford; “Quire III” (from “Turzets“, 2024)
7. Toshi Ichiyanagi (一柳慧); “Shikisokuzekuu-Kuusokuzeshiki (色即是空空即是色)” (from “Obscure Tape Music of Japan vol. 20“, 2016)
8. El Jardín de las Matemáticas; “El Golem Gordo” (from “El Jardín de las Matemáticas“, 2024)
9. Jonty Harrison; “Pair/Impair (1978)” (from “Articles indéfinis“, 1996)
10. Juan Hidalgo; “Étude de stage (1961)” (from “Five Spanish Pioneers of Electronic and Experimental Music 1953-1969“, 2024)
11. Intermodulation/Tim Souster; “World Music – Orbit I” (from “Connections (1970 – 1974)“, 2024)
12. Katalin Ladik; “White Bird (2019)” (from “Water Angels“, 2021)
13. Thilges3; “Pop.Aka.Pop” (from “Prototype – Armaments and Armatures Against Electronic Music“, 2003)
14. Nate Wooley; “Stump The World (1)” (from “Henry House“, 2025)
15. Todd Carter, Brent Gutzeit, Doug Lussenhop; “December 11, 1997” (from “Myopic Bookstore Improvised Music Workshop Volume One“, 1999)
16. Gilles Gobeil; “Nuit cendre” (from “dans le silence de la nuit…“, 2001)
17. Udo Wid; “Elf-Observatory [15° 18′ 13″ East / 48° 34′ 39″ North] Measuring Signal” (from “Prototype – Armaments and Armatures Against Electronic Music“, 2003)
18. Freeka Tet & Amnesia Scanner; “FTAS Icaros (PNG noise cancellation)” (from “HOAX“, 2024)
19. Nicolas Jaar; “Radio Chomio (con Eli Wewentxu)” (from “Piedras 2“, 2024)
20. Bill Nace; “Clips II (A10)” (from “Clips II“, 2024)
21. Koji Marutani; “Rain (feat. Toru Yamanaka)” (from “blueCubism – transcoded audio structures“, 1999)
22. Ben Patterson, Davide Mosconi, Gabriele Bonomo, Philip Corner, Phoebe Neville, Walter Marchetti; “Paper Piece (1960)” (from “Early Works“, 1999)
23. Gavin Gamboa; “stringQuartet-i: { 6 };” (from “Quartet Forensics“, 2015)
24. Gordon Longfellow; “350-2” (from “Electronic Kabuki Mambo: Highlights From The Legendary Vortex Experiments At San Francisco’s Morrison Planetarium“, 2002)
25. Karlheinz Essl; “FABRIC – Dreaming Schubert (2017)” (from “Il ritorno di Kreisler E.T.A. Hoffmann“, 2022)
26. R. K. Faulhaber; “OCE” (from “Dugong Weeps“, 2021)
27. Jean Dubuffet; “Diligences futiles” (from “Expériences Musicales (II)“, 2022)
28. David Edren; “Dance Of The Codariocalyx” (from “Music For Mimosa Pudica & Codariocalyx“, 2023)
29. Leilehua Lanzilotti; “find” (from “forever forward in search of the beautiful“, 2024)
30. John Wall and Alex Rodgers; “Herd Vectiv” (from “Herd Vectiv“, 2024)
31. Matthias Puech; “Tunnel Vision” (from “A Geography Of Absence“, 2021)
32. John Chantler; “A Season Later (for RH)” (from “Hordijk, Vol. 1“, 2022)
33. Nexcyia; “Bend” (from “Exodus“, 2024)

Second Hour (Deconstructions)

1. Madalyn Merkey; “Gypsy Woman” (from “Standards“, 2021)
2. Han Bennink; “01 – Title” (from “Drums Solo – Loft, Köln – AUD – 24bit96“, 2024)
3. Aksak Maboul; “Drums” (from “1980-04-20 at the Rock In Opposition Festival, Reims“, 2024)
4. Pat Thomas; “Step 1” (from “This is Trick Step“, 2024)
5. Jack Ruby; “Destroy/Lost” (from “Hit and Run“, 2014)
6. Aho Ssan; “Tetsuo II” (from “Rhizomes“, 2023)
7. Funkstörung; “Side A – Misch” (from “Mischmasch“, 2024)
8. IKTS; “Seq7” (from “NEURAL SYNTHESIS EP“, 2020)
9. Selman; “Bento Beater” (from “Rungler Acid“, 2023)
10. Charmaine Lee & Ikue Mori; “Three Shades and a Lime (jondownload remix)” (from “Elevator Music“, 2024)
11. Cam Deas & Jung An Tagen; “That (yGrid/D#) (Second Woman Remix)” (from “Presentism“, 2021)
12. Jean-Luc Guionnet & Will Guthrie; “Bounce” (from “Electric Rag“, 2021)
13. Jessica Ekomane; “MR.2023.9.5-A3” (from “Temporary Stored II“, 2024)
14. Black Pus; “Gothic Socks” (from “Terrestrial Seethings“, 2024)
15. Jim Shepard; “Quotients & Numbers” (from “Picking Through the Wreckage with a Stick“, 2024)
16. Ensemble Economique; “Radiate Through Me (Steven Porter Remix)” (from “Steven Porter Remixes“, 2017)
17. Aleksi Perälä / Nick Forte; “Untitled (Colundi Everyone) / Druse” (from “Kern, Vol. 3“, 2016)
18. The Shadow Ring; “Wash What You Eat” (from “1996-97 Where Two Points Divide“, 2024)
19. Jan Jelinek; “Lithiummelodie 1” (from “Kosmischer Pitch“, 2025)
20. Maalem Houssam Guinia; “Jangari جانگري” (from “جوف الليل – Dead of Night“, 2024)
21. Yximalloo; “O’Dwell” (from “Sakura Musique 2007-2014“, 2017)
22. Tolerance; “Dose 03” (from “Dose“, 2020)
23. Yximalloo; “Kuse” (from “Sakura Musique 2007-2014“, 2017)
24. Feminist Improvising Group; “Any Trouble” (from “Radio Hamburg 1980-10-03“, 1980)
25. Clinton Green; “Out of the Fog” (from “Lucid Lucid Lucid Lucid Lucid Lucid“, 2024)
26. Klaus Weiss; “Eternity” (from “Time Signals“, 1978)
27. Eddie Prévost; “Flayed” (from “Flayed / Crux“, 1995)
28. Yoshio Machida (町田良夫); “Aug 16, 2004 ‘Isea2004’, Slija Ferry, Baltic Sea, Finland ” (from “Steelpan Improvisations: 2001-2008“, 2009)
29. Norbert Eisbrenner, Conrad Schnitzler, Sven-Åke Johansson; “Mariental-Horst” (from “Mariental Tapes“, 1970)
30. Eugene Carchesio; “Circle Music 4” (from “Taster’s Menu“, 2025)

31. Ornette Coleman, Bern Nix, James Blood Ulmer, Fred Williams, Denardo Coleman, Ronald Shannon Jackson; “Sleep Talking” (from “Festival de Jazz d’Antibes, Juan-les-Pins – 16bit48 – 1978-07-22“, 1978)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 02-24-2025

Alpha State @ The Lot Radio #2.

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Feb 24
Overjoyed to have been asked to be a Resident on The Lot Radio; while I was active as a DJ in the late 90s/early 2000s (mainly as a part of the myriad “DJ Hekla;” seek out the mix we did on RKK back then) it’s been fairly sporadic in the interim aside from a few one-offs & guest-slots. Expect 2 hours of Electroacoustics & Deconstructions every 4 weeks; I’ll be keeping meticulous record of what’s being played & will repeat the YouTube™ captures of each show here w/ annotated tracklist. Here’s the first:

First Hour (Electroacoustics)

1. Bernard Parmegiani; “Thalassa (1971)” (from “Early and Rarities“, 2024)
2. Leo Küpper/Exequiel Virasoro; “Automatismes sonores: IV” (from “The Avantgarde Series“, 1971)
3. Ben Vida; “The Untitled (July 2020)” (from “En el fin del mundo, hasta el fin del mundo“, 2020)
4. Walter Marchetti; “Per La Sete Dell’Orecchio (Excerpt)” (from: “Fluxus Anthology“, 2001)
5. Florian Hecker; “Resynthese FAVN (iw 0.99 – sw 0.01)” (from “Resynthese FAVN“, 2024)
6. Wolf Vostell; “Elektronischer Dècoll/age. Happening Raum” (from: “Fluxus Anthology“, 2001)
7. Manuella Blackburn; “Home Truths” (from “Interruptions“, 2024)
8. Squarepusher; “4026 Melt 5” (from “Vacuum Tracks“, 2006)
9. Bill Orcutt; “Side B” (from: “AN ACCOUNT OF THE CRIMES OF PETER THIEL AND HIS SUBSEQUENT ARREST, TRIAL AND EXECUTION“, 2017)
10. Leonard Rosenman; “Main Title Sound Effect Suite” (from “Fantastic Voyage“, 1966)
11. Six Organs Of Admittance; “The Scout Is Here (Twig Harper Remix)” (from: “Companion Rises“, 2024)
12. Jerry Goldsmith; “J.J. Gittis” (from “Chinatown“, 1974)
13. Ahmed Essyad; “Sultane, pt. I” (from “Moroccan Electroacoustic Music 1972-74“, 2024)
14. Paul Kelday; “Lament for the Victims of Violence” (from “Beyond The Perimeters“, 2020)
15. Ikue Mori; “Day of Locusts” (from “Labyrinth“, 2001)
16. Sarah Belle Reid; “Collide” (from “MASS (Extended + Remastered)“, 2024)
17. David Jackman; “Blues” (from “Snatch 3“, 1981)
18. Matt Weston; “Burials To Understanding” (from “Communism Has Appeared On The Scene“, 2024)
19. Bülent Arel; “Stereo Electronic Music No. 1” (from “Columbia-Princeton Electronic Music Center“, 1964)
20. Gustavo Diaz Jerez; “Morse-Thue (Base 2, 8khz)” (from “Fractal Sounds, Vol. 1“, 2012)
21. Joker Nies; “Intruder Alert” (from “Hordijk, Vol. 2“, 2023)
22. Nashim Ximena Gargari; “Ensifera Ventum 1” (from “EcoSono Environmental Computer Music and Sound Art“, 2018)
23. farmersmanual; “rec1-sine01-combined” (from “shmip“, 2022)
24. Guido Gamboa; “Peirce on Arbitrary Heterogeneity” (from “All Is Not Coherent in Nature: Polystudies for Algorithm & Electric Guitar“, 2024)
25. Tetsu Inoue; “tane” (from “Yolo“, 2005)
26. Manja Ristić / Joana Guerra / Verónica Cerrotta; “O vento retoma o seu lugar inicial” (from “Slani pejzaži“, 2024)

Second Hour (Deconstructions)

1. Ale Hop Laura Robles; “Defensoras del morro” (from “Agua dulce“, 2023)
2. Den Sei Kwan; “− 2” (from “P‘”, 2020)
3. KAKUHAN; “MT-STM” (from “Metal Zone“, 2022)
4. Kiiro Radical; “Denki Noise Dance 4” (from “Denki Noise Dance“, 1981)
5. Kindohm; “CONNECT malone” (from “GET“, 2023)
6. kirkis; “Linen Air” (from “halogen disk 1“, 2020)
7. Little Movies; “Lil Flicks” (from “OCCii Compilation Deluxe Edition“, 2021)
8. Lōtic; “Bulletproof” (from “Power“, 2018)
9. Limpe Fuchs & Mark Fell; “Dessogia II (Original Mix)” (from “Dessogia / Queetch / Fauch“, 2024)
10. M.E.S.H.; “Dzonot” (from “Hart Aber Fair“, 2019)
11. Mark Fell; “Multistability 6-B” (from “Multistability“, 2010)
12. MONOPOLY CHILD STAR SEARCHERS; “POLTERGEIST FORMS OF PRAYING MANTIS” (from “THIS YEAR IN COCONUTS VOLUME 2“, 2024)
13. Mumdance & Logos; “Hall Of Mirrors” (from “Proto“, 2015)
14. Moondog; “Ray Malone Softshoe” (from “All the Best“, 2017)
15. Nishimura Alimoti; “Nakayubi Tomare” (from “Shibou“, 1981)
16. Nobukazu Takemura; “Toybox With Moonshine” (from “Child & Magic“, 1997)
17. NYZ; “RLD minitonkla” (from “NTE GDN“, 2018)
18. Pessimist; “Sattyuzai” (from “Music 1“, 1981)
19. Plus Instruments; “Things” (from “Februari – April ’81“, 1981)
20. Russell Haswell; “RUNG Bonus Beats #8” (from “RUNG Bonus Beats“, 2020)
21. Rook Valard; “Crowslish” (from “Alt.Frequencies 3“, 1998)
22. Roberto Musci; “The Age of Fragmentation” (from “Cargo Cult“, 2024)
23. Sd Laika; “Peaked” (from “That’s Harakiri“, 2014)
24. Slikback; “Dread” (from “Data“, 2025)
25. Spednar; “exp 5” (from “Coniunctio“, 2021)
26. Vladislav Delay; “Anima / A” (from “MP3 Collection“, 2005)
27. Synalegg; “dytt0” (from “hArm0nii tanD3m“, 2022)
28. William Fields; “Tempo Rubato” (from “FieldsOS“, 2019)
29. William Fields; “Drum and Bass” (from “FieldsOS“, 2019)

The Lot Radio · Alpha State with Keith Fullerton Whitman @ The Lot Radio 01-27-2025

Alpha State @ The Lot Radio #1.

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Jan 27